Hyper/text/theoryIn his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory. Among the contributors, Charles Ess uses the work of Jurgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands. |
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it is possible to realize two completely different readings of Afternoon, even if the
rest of the narrative is read by default only. In fact, it is possible, when reading
through the narrative by way of default, to experience wildly different versions ...
it is possible to realize two completely different readings of Afternoon, even if the
rest of the narrative is read by default only. In fact, it is possible, when reading
through the narrative by way of default, to experience wildly different versions ...
Page
Every performance makes the work an actuality, but is itself only complementary
to all possible other performances of the work. In short, we can say that every
performance offers us a complete and satisfying version of the work, but at the
same ...
Every performance makes the work an actuality, but is itself only complementary
to all possible other performances of the work. In short, we can say that every
performance offers us a complete and satisfying version of the work, but at the
same ...
Page
Douglas has, for example, identified four independent constellations of lexias in
Afternoon; it is possible to read the fiction from within each of these constellations
and not be aware of the position or significance of a given lexia in the other ...
Douglas has, for example, identified four independent constellations of lexias in
Afternoon; it is possible to read the fiction from within each of these constellations
and not be aware of the position or significance of a given lexia in the other ...
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Contents
jl | |
NONLINEARITY | |
Wittgenstein Cenette and the Readers Narrative | |
Copyright | |
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Common terms and phrases
Afternoon argument become Cambridge Carmen Miranda claim closure communication concept context contingent created Critical Theory critique cultural cybertext David Kolb democratic polity discourse discourse ethic discussion Eastgate Systems electronic environment essay ethic example experience Frankfurt School genre geometry George Habermas Habermas's Harpold hyper HyperCard hypermedia Hypermedia and Literary hypertext fiction hypertext systems hypertext theory ideological interactive Joyce Landow language lexias linear literary theory literature logical means ment metaphor Michael Joyce Miranda Moulthrop narrative nodes nonlinear nonlinear text Norman Meyrowitz norms Peter philosophy physical political possible Postmodern problem reader reading relation rhetoric RHIZOME samba screen screeners scriptons sense sequence signifier social sophism spatial story Storyspace structure Stuart Moulthrop textons textual theoretical theorists tion tive trans tropes Ulmer University Press What's a Critic Wittgenstein word Writing Space Yellowlees Douglas York