Hyper/text/theoryIn his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory. Among the contributors, Charles Ess uses the work of Jurgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands. |
From inside the book
Results 1-3 of 18
Page
This phenomenon most clearly establishes the difference between main
character, narratee, and user. The main character is simply dead, erased, and
must begin again. The narratee, on the other hand, is explicitly told what
happened, usually ...
This phenomenon most clearly establishes the difference between main
character, narratee, and user. The main character is simply dead, erased, and
must begin again. The narratee, on the other hand, is explicitly told what
happened, usually ...
Page
With more than one-third of the narrative's bulk remaining, I learn that both
Edward Ashburnham and Florence are already dead and that Nancy, mad and
vacant, has been entrusted to Dowell's care. In a series of flashbacks that direct
the ...
With more than one-third of the narrative's bulk remaining, I learn that both
Edward Ashburnham and Florence are already dead and that Nancy, mad and
vacant, has been entrusted to Dowell's care. In a series of flashbacks that direct
the ...
Page
Since Peter Terence himself has caused the accident, clearly, he knows whether
the pair is unharmed, Harpold fatally injured, or already dead. The language in
the place "white afternoon" suggests the last possibility may be the most valid: ...
Since Peter Terence himself has caused the accident, clearly, he knows whether
the pair is unharmed, Harpold fatally injured, or already dead. The language in
the place "white afternoon" suggests the last possibility may be the most valid: ...
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Contents
jl | |
NONLINEARITY | |
Wittgenstein Cenette and the Readers Narrative | |
Copyright | |
9 other sections not shown
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Common terms and phrases
Afternoon argument become Cambridge Carmen Miranda claim closure communication concept context contingent created Critical Theory critique cultural cybertext David Kolb democratic polity discourse discourse ethic discussion Eastgate Systems electronic environment essay ethic example experience Frankfurt School genre geometry George Habermas Habermas's Harpold hyper HyperCard hypermedia Hypermedia and Literary hypertext fiction hypertext systems hypertext theory ideological interactive Joyce Landow language lexias linear literary theory literature logical means ment metaphor Michael Joyce Miranda Moulthrop narrative nodes nonlinear nonlinear text Norman Meyrowitz norms Peter philosophy physical political possible Postmodern problem reader reading relation rhetoric RHIZOME samba screen screeners scriptons sense sequence signifier social sophism spatial story Storyspace structure Stuart Moulthrop textons textual theoretical theorists tion tive trans tropes Ulmer University Press What's a Critic Wittgenstein word Writing Space Yellowlees Douglas York
References to this book
Bibliographic information
| Title | Hyper/text/theory |
| Author | George P. Landow |
| Editor | George P. Landow |
| Edition | illustrated |
| Publisher | Johns Hopkins University Press, 1994 |
| Original from | the University of Michigan |
| Digitized | 21 Feb 2008 |
| ISBN | 0801848377, 9780801848377 |
| Length | 377 pages |
| Subjects | › › Computers / Programming / General Criticism Criticism, Textual Criticism, Textual/ Data processing Hypertext systems Literary Criticism / General Literary Criticism / Semiotics & Theory |
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