Comedy, Fantasy and ColonialismGraeme Harper Drawing together for the first time original work from international specialists, this book assesses the role and character of comedy and fantasy in colonial societies from India to Ireland, Australia to Cuba, Africa to North America. There are cross-cultural comparisons and consideration of both imperial responses and colonized resistance. The book deals with oral as well as written traditions, the history of comic and fantastic discourse, visual, theatrical and literary representations as well as historical and cultural accounts. |
Contents
1 | |
9 | |
Ukcombekcantsini and the fantastic Zulu narratives and colonial culture | 23 |
The game is up British womens comic novels of the end of Empire | 39 |
James Morier and the oriental picaresque | 58 |
Cubans on the moon and other imagined communities | 73 |
Fairies on the veld foreign and indigenous elements in South African childrens stories | 89 |
Magic realism humour across cultures | 104 |
CapetoCairo Africa in Masonic fantasy | 140 |
Laughing matters the comic timing of Irish joking | 158 |
Two hundred years of colonial laughter in Malta Carnival and Pantomime in Malta under British rule | 175 |
Tricksteroutlaws and the comedy of survival | 189 |
Capturing the antipodes an imaginary voyage to Terra Australis | 205 |
Conclusion | 218 |
221 | |
233 | |
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Common terms and phrases
Adventures Afrikaans anti-colonial antipodes anxieties Bakhtin blackface British Israelite British women Callaway Cape Town Cape-to-Cairo Carnival century character colonial comedy and fantasy comic crinoline critical Cuba Cuban cultural dialogical discourse displacement Edgeworth elements Empire England English Erdrich European fairies fantasy figure Freemasonry genre Gerald Vizenor Godden Hajji Baba humour Ibid images imaginary voyages imagination imperial incongruity Indian Rebellion indigenous Irish joke James Morier Kingfishers Catch Fire kraal language laughing literary literature London Louise Erdrich Love MADC magic realism Magical Realist Fiction Malta Maltese Manoel Theatre Mikhail Bakhtin moon Morier's Nanabozho Nanapush narrative narrator novel Oxford Pantomime parody Persia Peter Wilkins play political popular postcolonial Punch racial rape reader reality relationship representation role satire sense sexual Slavoj Žižek social Sophie's South African space story suggests teatro bufo texts theatre traditional trickster Ukakaka Ukcombekcantsini University Press Vizenor Western woman writing Žižek Zulu