Designing a Digital PortfolioPortfolios have always been artists' most valuable tools for communicating their talents to the outside world, whether to potential employers or galleries or clients. But the days of sketches and slides have given way to arrangements of digital assets that are both simpler and more complex than their traditional analog counterparts. Instructor and design professional Cynthia Baron covers all the facets that artists need to know, from choosing the best work for a particular audience to using various file formats to organizing, designing, and presenting the portfolio. Beautiful full-color illustrations demonstrate her instructions, and case studies throughout portray examples of attractive and effective portfolio design. This book gives artists at any level a creative edge, ensuring that their portfolios get noticed and help them stand out from the crowd. |
From inside the book
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... portfolios play in capturing work. And thus, the importance and relevance of Designing a Digital Portfolio. A digital portfolio is now the professional standard. It is without question the most important and mandatory vehicle to ...
... portfolios play in capturing work. And thus, the importance and relevance of Designing a Digital Portfolio. A digital portfolio is now the professional standard. It is without question the most important and mandatory vehicle to ...
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... portfolio looms as the single most important factor in their future, students often are so caught up in class projects or part-time jobs that they don't prepare their portfolio until after graduation—too late to take advantage of a ...
... portfolio looms as the single most important factor in their future, students often are so caught up in class projects or part-time jobs that they don't prepare their portfolio until after graduation—too late to take advantage of a ...
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Cynthia L. Baron. A good portfolio is all about contrasts. It juxtaposes light versus dark, big versus small, complex versus simple, colorful versus monochrome. A good portfolio can make bad work palatable, mediocre work good, and good ...
Cynthia L. Baron. A good portfolio is all about contrasts. It juxtaposes light versus dark, big versus small, complex versus simple, colorful versus monochrome. A good portfolio can make bad work palatable, mediocre work good, and good ...
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... digital presence. Having a digital portfolio Standarddoesn't have to be hard. Graphic design, architectural —Rita Armstrong walkthroughs, video, and animation are already produced digitally, and the files can be modified for online use ...
... digital presence. Having a digital portfolio Standarddoesn't have to be hard. Graphic design, architectural —Rita Armstrong walkthroughs, video, and animation are already produced digitally, and the files can be modified for online use ...
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... portfolio. ' Security. In some cases, your contractual agreement with a client may prevent you from putting a project into a digital portfolio. If you want to show it, you might have to present it in person. See Chapter 12, ”Copyright ...
... portfolio. ' Security. In some cases, your contractual agreement with a client may prevent you from putting a project into a digital portfolio. If you want to show it, you might have to present it in person. See Chapter 12, ”Copyright ...
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Common terms and phrases
allow animation application artists artwork audience become better branding Chapter client clip color concept copy create creative digital portfolio Director display easy editing effect elements example experience feel file find first Flash format give graphic design ideas illustration important interactive interested interface it's keep light look Luke Williams marketing material menu move navigation never offer optimizing options organized original packaging particularly photographer piece portfolio presentation professional reel require result scan screen someone standard Studios style things viewer visual window