Hyper/text/theoryIn his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory. Among the contributors, Charles Ess uses the work of Jurgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands. |
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a narrative device employed strictly to heighten tension, to create a sense of
suspenseful anticipation of the next developments in the "Relic" narrative. But my
encounter with the topographic map reveals the "Relic" strand to be limited to the
...
a narrative device employed strictly to heighten tension, to create a sense of
suspenseful anticipation of the next developments in the "Relic" narrative. But my
encounter with the topographic map reveals the "Relic" strand to be limited to the
...
Page
I have, in a sense, a meta-script which also enables me to be comfortable with
the very inconclusiveness of my reading, with its inability to account for
everything I have discovered in WOE. I. Yellowlees Douglas Reading for the
Ending: ...
I have, in a sense, a meta-script which also enables me to be comfortable with
the very inconclusiveness of my reading, with its inability to account for
everything I have discovered in WOE. I. Yellowlees Douglas Reading for the
Ending: ...
Page
Our sense of arriving at closure is satisfied when we manage to resolve narrative
tensions and to minimize ambiguities, to explain puzzles, and to incorporate as
many of the narrative elements as possible into a coherent pattern — preferably ...
Our sense of arriving at closure is satisfied when we manage to resolve narrative
tensions and to minimize ambiguities, to explain puzzles, and to incorporate as
many of the narrative elements as possible into a coherent pattern — preferably ...
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Contents
Critical Theory in the Age | |
Nonlinearity and Literary Theory 51 | |
Wittgenstein Genette and the Readers Narrative | |
Copyright | |
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Afternoon argument become Cambridge Carmen Miranda claim closure communication concept context contingent created Critical Theory critique cultural cybertext David Kolb democratic polity discourse discourse ethic discussion Eastgate Systems electronic environment essay ethic example experience Frankfurt School genre geometry George Habermas Habermas's Harpold hyper HyperCard hypermedia Hypermedia and Literary hypertext fiction hypertext systems hypertext theory ideological interactive Interactive Fiction Lacan Landow language lexias linear literary theory literature logical means ment metaphor Michael Joyce Miranda Moulthrop narrative nodes nonlinear nonlinear text norms Peter philosophy physical political possible Postmodern problem reader reading relation rhetoric RHIZOME samba screen screeners scriptons sense sequence signifier social sophism spatial story Storyspace structure Stuart Moulthrop textons textual theoretical theorists tion tive trans tropes Ulmer University Press What's a Critic Wittgenstein word Writing Space Yellowlees Douglas York