Lectures on the English LanguageMurray, 1863 - 498 pages |
From inside the book
Results 1-5 of 28
Page x
... Alliteration , Line - Rhyme , and Assonance 542 LECTURE XXVI . Synonyms 571 LECTURE XXVII . Principles of Translation 596 LECTURE XXVIII . English Bible 617 LECTURE XXIX . Corruptions of English 644 LECTURE XXX . The English Language in ...
... Alliteration , Line - Rhyme , and Assonance 542 LECTURE XXVI . Synonyms 571 LECTURE XXVII . Principles of Translation 596 LECTURE XXVIII . English Bible 617 LECTURE XXIX . Corruptions of English 644 LECTURE XXX . The English Language in ...
Page 163
... alliterative and rhyming ones , our pithy saws , our most strik- ing similes and descriptive expressions , and our favorite quo- tations , are in general , wholly , or in a very large proportion , made up of native English words . Take ...
... alliterative and rhyming ones , our pithy saws , our most strik- ing similes and descriptive expressions , and our favorite quo- tations , are in general , wholly , or in a very large proportion , made up of native English words . Take ...
Page 504
... alliteration nor accent should have become metrical elements , but that , on the contrary , repetition of sound in all its forms should have been sedulously avoided . But the very abundance of similar endings suggests the reason why ...
... alliteration nor accent should have become metrical elements , but that , on the contrary , repetition of sound in all its forms should have been sedulously avoided . But the very abundance of similar endings suggests the reason why ...
Page 509
... alliteration and other coincidence of sound which characterizes all the branches of that great family , that it found ready acceptance among them as soon as models of rhyming versification were presented to them . The passionate ...
... alliteration and other coincidence of sound which characterizes all the branches of that great family , that it found ready acceptance among them as soon as models of rhyming versification were presented to them . The passionate ...
Page 522
... alliteration , while its rhythm is accentual , like that of all modern poetry . Waiving the difference between tem- poral and accentual rhythm , the versification of the Ormu lum closely resembles some ancient metres , and is therefore ...
... alliteration , while its rhythm is accentual , like that of all modern poetry . Waiving the difference between tem- poral and accentual rhythm , the versification of the Ormu lum closely resembles some ancient metres , and is therefore ...
Contents
1 | |
29 | |
54 | |
76 | |
97 | |
117 | |
150 | |
172 | |
340 | |
360 | |
378 | |
407 | |
426 | |
444 | |
468 | |
499 | |
191 | |
218 | |
238 | |
260 | |
281 | |
296 | |
313 | |
516 | |
542 | |
571 | |
596 | |
617 | |
644 | |
666 | |
Other editions - View all
Common terms and phrases
accent adjective alliteration ancient Anglo-Saxon articulation belonging Ben Jonson Bible century character Chaucer classical common composition compound consonants derived dialect diction dictionary distinct early elements employed England English language English words etymology example expression fact familiar foreign French gender German Gothic Gothic languages grammatical Greek guage Hence Icelandic important inflections influence instances intellectual Italian language Latin Layamon Lecture less letters linguistic literature meaning modern moral nation native noun obsolete occur original Ormulum orthoepy orthography participle particles period persons philological phrase Piers Ploughman plural poems poetic poetry possessive present printed pronounced pronunciation prose prosody radical reference remarkable respect rhymes Robert of Gloucester Romance roots Saxon sense Shakespeare signification sound speak speech strong inflection supposed syllable syntactical syntax thing thought tion tongue translation verb verbal verse vocabulary vowel weak inflection writers Wycliffe Wycliffite
Popular passages
Page 356 - OF man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, heavenly Muse...
Page 164 - But he that heareth, and doeth not, is like a man that without a foundation built an house upon the earth; against which the stream did beat vehemently, and immediately it fell; and the ruin of that house was great.
Page 71 - In courts, at feasts, and high solemnities, Where most may wonder at the workmanship. It is for homely features to keep home; They had their name thence...
Page 161 - When we were taken up stairs," says he in one of his letters, " a dirty fellow bounced out of the bed on which one of us was to lie." This incident is recorded in the Journey as follows : " Out of one of the beds on which we were to repose started up, at our entrance, a man black as a Cyclops from the forge.
Page 66 - Come, pensive Nun, devout and pure, Sober, steadfast, and demure, All in a robe of darkest grain, Flowing with majestic train, And sable stole of cypress lawn Over thy decent shoulders drawn. Come; but keep thy wonted state, With even step, and musing gait, And looks commercing with the skies, Thy rapt soul sitting in thine eyes...
Page 511 - THE measure is English heroic verse without rime, as that of Homer in Greek, and of Virgil in Latin, — rime being no necessary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age, to set off wretched matter and lame metre...
Page 629 - Truly, good Christian Reader, we never thought from the beginning that we should need to make a new translation, nor yet to make of a bad one a good one...
Page 130 - In one corner was a stagnant pool of water, surrounding an island of muck; there were several half-drowned fowls crowded together under a cart, among which was a miserable, crest-fallen cock, drenched out of all life and spirit, his drooping tail matted, as it were, into a single feather, along which the water trickled from his back...
Page 333 - AN EPITAPH ON THE ADMIRABLE DRAMATIC POET W. SHAKESPEARE. WHAT needs my Shakespeare for his honour'd bones The labour of an age in piled stones ? Or that his hallow'd reliques should be hid Under a star-ypointing pyramid...
Page 164 - When you are an anvil, hold you still ; when you are a hammer, strike your fill.