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THE STONES OF VENICE.
(FIRST OF THE OLD EDITION.)
§ 1. Since the first dominion of men was asserted over the ocean, three thrones, of mark beyond all others, have been set upon its sands: the thrones of Tyre, Venice, and England. Of the First of these great powers only the memory remains; of the Second, the ruin; the Third, which inherits their greatness, if it forget their example, may be led through prouder eminence to less pitied destruction.
The exaltation, the sin, and the punishment of Tyre have been recorded for us, in perhaps the most touching words ever uttered by the Prophets of Israel against the cities of the stranger. But we read them as a lovely song; and close our ears to the sternness of their warn
ing: for the very depth of the Fall of Tyre has blinded us to its reality, and we forget, as we watch the bleaching of the rocks between the sunshine and the sea, that they were once in Eden, the garden of God."
Her successor, like her in perfection of beauty, though less in endurance of dominion, is still left for our beholding in the final period of her decline: a ghost upon the sands of the sea, so weak—so quiet,-so bereft of all but her loveliness, that we might well doubt, as we watched her faint reflection in the mirage of the lagoon, which was the City, and which the Shadow.
I would endeavor to trace the lines of this image before it be for ever lost, and to record, as far as I may, the warning which seems to me to be uttered by every one of the fast-gaining waves, that beat, like passing bells, against the STONES OF VENICE.
§ 11. It would be difficult to overrate the value of the lessons which might be derived from a faithful study of the history of this strange and mighty city: a history which, in spite of the labor of countless chroniclers, remains in vague and disputable outline, -barred with brightness and shade, like the far away edge of her own ocean, where the surf and the sand-bank are mingled with the sky. The inquiries in which we have to engage will hardly render this out
line clearer, but their results will, in some degree, alter its aspect; and, so far as they bear upon it at all, they possess an interest of a far higher kind than that usually belonging to architectural investigations. I may, perhaps, in the outset, and in few words, enable the general reader to form a clearer idea of the importance of every existing expression of. Venetian character through Venetian art, and of the breadth of interest which the true history of Venice embraces, than he is likely to have gleaned from the current fables of her mystery or magnifi
$ 111. Venice is usually conceived as an oligarchy: She was so during a period less than the half of her existence, and that including the days of her decline; and it is one of the first questions needing severe examination, whether that decline was owing in any wise to the change in the form of her government, or altogether, as assuredly in great part, to changes, in the character of the persons of whom it was composed.
The state of Venice existed Thirteen Hundred and Seventy-six years, from the first establishment of a consular government on the island of the Rialto,* to the moment when the Generalin-chief of the French army of Italy pronounced
* Appendix I., “ Foundations of Venice."