So it was, that 'Creation's wondrous choir' began with full harmony of praise; and still 'all' the works of the Lord praise Him, and magnify Him for ever;' and nothing mars their sweet music save man, who should have been its leader, but now overpowers 'with harsh din The music of Thy works and word, Ill matched with grief and sin.' Sin and the world overpower the voice of nature all day; but in the silence of evening, any susceptible soul must become alive to the solemnity and purity of the scene; and the 'still and deep,' though often undefined, impressions that fall on our souls, are the same 'At which high spirits of old would start, It would not be easy here to specify the proofs of such yearnings; they are 'We will not look on her burial sod It shall be as the shrine of a radiant God; Even a child cannot read of Socrates' life and death, without reverence for his grasp of the truth, almost out of reach; and Plato's system was only too perfect for a heathen. Nay, Virgil almost divined the restoration at hand; and though Seneca, Epictetus, and Marcus Aurelius, the Seekers after God,' failed to comprehend the Light when it was already shining in the world, they were deeply sensible of the longing for perfection. Even the rude north looked beyond the dread Twilight of the gods,' to a perfect restitution of all things. These thoughts were 'the wreck of Paradise,' and long upbore whatever was good or pure; but though the suffering of nature was perceived, neither reason nor hope could have discovered the remedy. The hour that saw from opening heaven Beyond the summer hues of heaven, Beyond the mid-day beam. Thenceforth to eyes of high desire, The meanest things below, As with a seraph's robe of fire The rod of Heaven has touched them all, Yet all is not mirth and joy in creation. Living things still feel pain, the more acute in proportion to their finer development; decay passes on all in existence; and, as Dante touchingly says, the loveliest forms in nature are as if made by an artificer with a trembling hand. Why is this? Because, though the world is redeemed, 'sin lingers still:' the full adoption of the sons of God is not complete; the redemption of the body,' which belongs to the world of Adam, is not yet complete; and until our Lord return, creation still must be subject to vanity, i.e. nothingness and decay, in hope of that hour when He shall make new heavens and a new earth; when old things shall have passed away, and all things shall have become new. 'The creature' sings his chant of promise again in the person of the robin-redbreast, that so often haunts our churches, that it seems hardly needful to specify one which spent its winters in Winchester Cathedral as a home, and which we believe to have been the subject of this poem, especially as it was often heard singing throughout the Anthem, and continuing through the ensuing prayers and the Thanksgiving. To the poet, the sweet joyous song, breaking forth from the top of the old crowned chests of the bones of kings a thousand years ago, and chiming in as we bless God for our creation, preservation, and the redemption of the world, seems to say, 'Not man alone Lives in the shade of JESU's Throne, The angels, who were not purchased by the Death of Christ, like us, adore It with us, we know; and may not some gleams of light have fallen from our Lord on our sinless companions, who suffer because he who has dominion over them has transgressed? We know that the sheep at Bethlehem saw the angelic choir; and the ox and ass shared the cave where the holy Babe was born; nay, the patient and often misused animal, whom our Lord selected for His triumphal procession, bears the mark of His own Cross. Surely we who bear that sign should fear to enthrall to woe and wrong His 'creatures sealed For blessing; aid to earn and yield, As ere our father's fall.' The spirit is akin to that of the beautiful legends of St. Francis and the birds; or of St. Antony of Padua and the frogs, whose croakings he silenced because they interfered with his devotions, until he felt himself rebuked by coming to the words, 'O ye whales, and all that move in the waters, bless ye the Lord! praise Him and magnify Him for ever.' FIFTH SUNDAY AFTER TRINITY. MUCH more simple than those we have had lately to study, is this song of the fishermen of Bethsaida. It is of course primarily the meditation of one of the 'fishers of men,' the ministry of the Church; but it also touches the hearts of all who are in any way set to seek the souls' that Christ hath bought;' and who is not? Who has not felt how far from tranquil is our ocean? who has not watched in anxiety? who has not been disappointed in the best considered schemes, and known the sad dawn of cheerless day,' when those for whom we have most earnestly sought refuse to be brought in? Yet still there is the same confidence: 'Our Master is at hand To cheer our solitary song, but only in His own time, and when we have toiled in many waters, still patiently, hopefully, dutifully. There are times of success too; and then well is it if we take the warning from the prophet of old, against worshipping our own nets; namely, ascribing the work to our own contrivance; adoring, so to speak, our own influence, our pains, care, or good management, and saying, 'My own right hand, and the strength of my might, hath gotten me these.' Perhaps St. Bernard best met such a temptation when, on feeling some complacency in a sermon of his own, he burst forth aloud, 'Satan, I did not make this for thee; neither hast thou any part therein.' In the Lyra, the Christiaff child is addressed as anointed, even as David was, and reminded of his Christian conflict. The lion and the bear represent childish faults conquered by prayer; but the mightier foe, the battle of the life, is approaching. Confirmation bestows a stronger life, and the armour must be put on; not sword, shield, or spear, but ‘Charm words from our Book,' and 'Gems from our baptismal brook,' are the weapons. For since Satan attacks us through all our five gateways' of the senses, each must be guarded with the smooth stones from the Fount; namely, the Commandments, the Word of God, that we know to be the best weapon against Satan. Then Mark and use the trial hour; When his whispers nearest sound, Stripling though thou be and frail, (To be continued.) MEDIEVAL SEQUENCES AND HYMNS. No. XVIII.-ON THE HOLY TRINITY. (Vox clarescat, meus purgetur) VOICES clear and souls unstained To the lips' best melody. With exultant hearts and minds; God the Father, self-existent, God the sole-begotten Son, One in Majesty unbounded, Each in His own function truly Aid us in our ghostly strife; Amen. ENOUGH TO KNOW. We need not seek for strange outlying lands Was Moses bound to teach geology To the young world, scarce able to avow That God is not the earth, or sea, or sky? That God made all things was enough to know. Yon stars may be the homes of heavenly bliss; This earth is one among a million orbs; Our system one 'mid myriads more that glow : Nor need we think that our sad state absorbs God's mercy His mercy is enough to know. Throughout His universe may be a plan Of worlds and creatures, high in the scale and low, Intact, fallen, redeemed; like this world's man, Perhaps our Saviour is enough to know. We know not yet the history of our earth; God was and is; this is enough to know. Some think God cannot wash away our sins To feed our souls: but our reply begins, 'The TRUTH spake thus-:' This is enough to know. How little even the wisest knows! The child May know all needful things; and even so As children we receive Truth undefiled: Our God is Truth; this is enough to know. F. HARRISON. |