The Modern Study of Literature: An Introduction to Literary Theory and Interpretation |
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Page xi
... Lyric Poetry • 35 77 93 • 117 • 119 132 • 162 197 BOOK IV : LITERARY CRITICISM : THE TRADITIONAL CONFU- SION AND THE MODERN RECONSTRUCTION CHAPTER X. Types of Literary Criticism and Their Traditional Confusion XI . Speculative Criticism ...
... Lyric Poetry • 35 77 93 • 117 • 119 132 • 162 197 BOOK IV : LITERARY CRITICISM : THE TRADITIONAL CONFU- SION AND THE MODERN RECONSTRUCTION CHAPTER X. Types of Literary Criticism and Their Traditional Confusion XI . Speculative Criticism ...
Page 18
... LYRIC Reflection ( Music preponderates ) DRAMA Presentation ( Action preponderates ) Description [ Narrator interposed between the audience and the matter ] Ballad Dance Speech Music Action Primitive literary form HISTORY Description ...
... LYRIC Reflection ( Music preponderates ) DRAMA Presentation ( Action preponderates ) Description [ Narrator interposed between the audience and the matter ] Ballad Dance Speech Music Action Primitive literary form HISTORY Description ...
Page 19
... lyric : here music has become dominant over speech , and the element of action may die out . As narration belongs to epic , and presentation to drama , so lyric produces its effect by less defined modes such as suggest reflection ...
... lyric : here music has become dominant over speech , and the element of action may die out . As narration belongs to epic , and presentation to drama , so lyric produces its effect by less defined modes such as suggest reflection ...
Page 20
... lyric , drama ; history , philosophy , oratory . But at this point care must be taken to avoid a misunderstanding which goes down to the foundation of literary morphology . The six elements of literary form are not to be understood as ...
... lyric , drama ; history , philosophy , oratory . But at this point care must be taken to avoid a misunderstanding which goes down to the foundation of literary morphology . The six elements of literary form are not to be understood as ...
Page 21
... . Reading universal : adjunct to Commerce and Public Life 3. Irresponsible Anony- mity - Collective Copyright 4. News : Interest of the ' ephemeral ' LYRIC Creative Reflection The Serial Story Poets ' Corner , 21 CHART II.
... . Reading universal : adjunct to Commerce and Public Life 3. Irresponsible Anony- mity - Collective Copyright 4. News : Interest of the ' ephemeral ' LYRIC Creative Reflection The Serial Story Poets ' Corner , 21 CHART II.
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The Modern Study of Literature an Introduction to Literary Theory and ... Richard Green Moulton No preview available - 2019 |
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¹ Compare Aeneid analysis Ancient Classical Drama appears Aristophanes Aristotle ballad dance beauty becomes Biblical blank verse chapter Chart Chorus comedy conception creation dialogue discussion distinction English epic poetry essay euphuism Euripides evolutionary expression Faerie Queene fallacy fiction floating literature frame story Greek history of criticism Homer human idea Iliad incident inductive interest judicial criticism kind language litera literary art literary form literary history literary study literary theory lyric poetry matter mediaeval meter Modern Reader's Bible Molière movement narration nature novel Odyssey oral poetry organic epic particular personages philosophy play plot poem poet poetic present principle prose prosody reader reality Renaissance rhythm seems seen Shakespeare as Artist side sonnet spirit stage story study of literature suggests taste things thou thought tion traditional tragedy Trojan War ture unity verse whole wisdom wisdom literature word world literature
Popular passages
Page 11 - And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand ; and all the women went out after her, with timbrels, and with dances. And Miriam answered them, Sing ye to the LORD, for he hath triumphed gloriously : the horse and his rider hath he thrown into the sea.
Page 67 - The voice of him that crieth in the wilderness, Prepare ye the way of the Lord, Make straight in the desert a highway for our God. Every valley shall be exalted, And every mountain and hill shall be made low: And the crooked shall be made straight, And the rough places plain: And the glory of the Lord shall be revealed, And all flesh shall see it together: For the mouth of the Lord hath spoken it.
Page 481 - Hence, loathed Melancholy, Of Cerberus and blackest Midnight born In Stygian cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy ! Find out some uncouth cell, Where brooding Darkness spreads his jealous wings, And the night-raven sings ; There, under ebon shades and low-browed rocks, As ragged as thy locks, In dark Cimmerian desert ever dwell.
Page 419 - Now came still evening on, and twilight gray Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests, Were slunk, all but the wakeful nightingale, She all night long her amorous descant sung...
Page 210 - There be three things which are too wonderful for me, yea, four which I know not: The way of an eagle in the air; the way of a serpent upon a rock; the way of a ship in the midst of the sea; and the way of a man with a maid.
Page 199 - Eagle screams, and passes by. 'Dear lost companions of my tuneful art, 'Dear, as the light that visits these sad eyes, 'Dear, as the ruddy drops that warm my heart, 'Ye died amidst your dying country's cries — 'No more I weep. They do not sleep. 'On yonder cliffs, a...
Page 426 - Reign thou over us. But the olive tree said unto them, Should I leave my fatness, wherewith by me they honour God and man, and go to be promoted over the trees ? And the trees said to the fig tree, Come thou, and reign over us.
Page 478 - To th' instruments divine respondence meet: The silver sounding instruments did meet With the base murmure of the waters fall; The waters fall with difference discreet, Now soft, now loud, unto the wind did call: The gentle warbling wind low answered to all.
Page 68 - The voice said, Cry. And he said, What shall I cry? All flesh is grass, And all the goodliness thereof is as the flower of the field : The grass withereth, the flower fadeth: . Because the spirit of the Lord bloweth upon it: Surely the people is grass. The grass withereth, the flower fadeth: But the word of our God shall stand for ever.
Page 297 - By bud of nobler race : this is an art Which does mend nature, change it rather, but The art itself is nature.