REFERRED TO IN THE PRECEDING PAGES
World Literature: and Its Place in General Culture.
Published by Macmillan (price in America, $1.75 net; in England, 7s. 6d.). The Modern Reader's Bible: Books of the Bible (including three books of the Apocrypha) edited in full literary structure: with copious introductions and notes. Issued in two different forms: (1) complete in one volume (1,733 pages), published by Macmillan (price in America: cloth $2.00 net; morocco $5.00 net; price in England: cloth ros. net; leather 12s. 6d. net). (2) in twenty-one small volumes, published by Macmillan; volumes sold separately; Genesis, The Exodus, Deuteronomy, The Judges, The Kings, The Chronicles; The Psalms and Lamentations (two volumes), Biblical Idylls (one volume, containing Solomon's Song, Ruth, Esther, Tobit); Isaiah, Jeremiah, Ezekiel, Daniel and the Minor Prophets; Proverbs, Ecclesiasticus, Ecclesiastes and Wisdom of Solomon, Job; St. Matthew (with St. Mark and the General Epistles), St. Luke and St. Paul (two volumes), St. John (price of each volume: in America, 50 cents [cloth], 60 cents [leather], net; price in England, 2s. 6d.).
The Literary Study of the Bible: An Account of the Leading Forms of Literature Represented in the Sacred Writings. 2d ed.; in America: published by D. C. Heath & Co., price $1.45; in England: published by Isbister & Co., price 10s. 6d.
A Short Introduction to the Literature of the Bible. D. C. Heath & Co. (price in America, $1.00; in England, 4s. 6d.).
The Ancient Classical Drama: A Study in Literary Evolution. Intended for English Readers. 2d ed. Published by the Oxford University Press (price in England, 8s. 6d.; in America, $2.35).
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[The digestion of topics usually made in an Index has in the present work been to a large
extent presented in a Syllabus (pages 495 ff.), and in the Charts scattered through the volume.
To avoid repetition, references are made in this Index to the Syllabus and Charts.—Particular
works are usually given under their authors.]
ACADEMY as an institutional author-
ity in art 321-22, 312
ACCIDENT as a motive force in plot
396-98
ACTION, plots of, 382, 390-92
ACTS in drama 60-61
ADDISON: on imagination 231, 243,
247-on Milton 225, 313-on
false wit 206.-His position in
evolution of the novel 155-57-
his use of 'fable' 425
ADDRESS, Literature of, 19
AESCHYLUS 162-his Agamemnon
390, 482-83-Choephori 390-
Prometheus 7, 120
AESTHETICS as one of the associated
studies, 94, 95
AGATHON 306 note 2
AGGLUTINATION as a plot form 143,
144
AGGREGATION of literatures distinct
from unity of literature 78-79
ALCESTIS STORY 371
ALLEGORY; see IMAGERY
AMOEBAEAN POETRY 198
ANACRUSIS 473-75
ANCESTRAL LITERATURE 89 (com-
pare 81)
ANECDOTE as the epic unit 152, 153,
382-83
ANGLO-SAXON LITERATURE 91, 465
ANTHOLOGY (Greek) 198, 212
APOLLODORUS' Argonautica 144
APPARATUS (scientific) analogous
to creative faculty 348
ARABIC Civilization and culture as a
factor in our literary pedigree 81,
82-88-Arabic language in the
Middle Ages 83, 86-Arabic
notation 330.-The Arabian
Nights Entertainment 147, 385
ARCH form of movement 104-7,
187-88, 191-93, 393
ARCHAEOLOGY as one of the associ-
ated studies 94, 95
ARCHITECTONIC factor in the evo-
lution of poetry 135
ARION, revolution of, 166, 167
ARIOSTO 144, 145
ARISTOPHANES 7, 41, 162, 170, 254,
361.-The Aristophanic or Old
Attic Comedy 166, 170
ARISTOTLE and his Poetics 13, 121,
222, 223, 225, 226, 231, 233,
235 ff., 242, 303-5, 352-53, 377
ARNOLD, EDWIN, 218
ARNOLD, MATTHEW, 130, 252, 313,
322, 356
ART: as an element in literature 8,
93 ff.-its analysis into design and
human interest 379-authority in
art 321-22-art and nature 296-
97, 304, 314-15, 371, 491-92
ART, Literary, Grammar of, 377 and
chapter xxii [syllabus 508]
ART, Literature as a Mode of, 375
and Book VI [syllabus 508; charts
382, 433, 464]-compare 255
ARYAN Civilization 81
ASSOCIATED studies 94 (compare
93-100)
ASTON'S History of Japanese Litera-
Austen, Jane: Pride and Prejudice
385-86-Sense and Sensibility 385
AUTHENTICITY a question of author-
ship not of literature 30-32
AUTHORITY in taste 321-22
AUTHORSHIP: connected with era
of originality 7-8, 36-41 [chart
37-collective and individual 20-
28 [chart 21]
AUTOBIOGRAPHY in application to
world literature 372
AXIOMS in literary study 266, 271,
296 (See also MAXIMS, PARA-
DOXES)
BACON 156, 233-quoted 126, 290-
91, 303, 319, 355, 468-69.—The
"Baconian Theory" 100
BALLAD DANCE: as literary proto-
plasm 11, 49-germ of three dis-
tinct arts 11-12-its place in the
evolution of literary form 11-12,
18, 25-28, 36-40-a factor in evo-
lution of ancient drama 163 ff.
BALZAC 144, 150-51
BEAST EPIC 425
BENNETT, ARNOLD, ISI
BIASED art creation 254
BIBLE: morphological confusion of
Biblical literature in the Middle
Ages and in current versions 65-
73 (compare 3, 53, 308, 313)
-Authorized Version 470; Re-
vised Version 68; Modern Reader's
Bible 68, 113; Polychrome Bible
113-14.-The Bible in the Middle
Ages 84-85, 308.-Biblical phi-
losophy of life a factor in the
Shakespearean drama 185.-Bib-
lical sonnets 207-9, 358-hallels
198, 215-the Lord's Prayer 70-
71-Deborah's Song 203-4-
Jotham's Fable 425-26-story
cycles 143, 144
BIBLE: Particular books of.-
Deuteronomy 47-48, 112 note 1,
114-15, 467-68-Ecclesiastes 71-
72, 359, 436-38-Ecclesiasticus
156, 358, 359-Ephesians 466-67
-Ezekiel 442-43-Isaiah 66-68,
70, 392 note 1-
-Jeremiah 23-34,
442-Job 31, 54, 69, 290, 359,
396, 428-Joel 104-7, 393-Judges
203-4, 425-26-Lamentations
198, 216-Micah 69-70-Proverbs
359-Revelation 442, 447-Song
of Songs 72-73, 198, 200, 434-
36-Wisdom of Solomon 359,
417.-The Book of Psalms 107-
8-dramatic psalms 46, 198,
200-songs of ascents 198, 215-
16-acrostic psalms 198, 216
(Particular psalms: the 8th, 366;
the 18th, 44; the 57th, 45; the
78th, 108 note, and 416; the
84th, 216-17; the 136th, 38)
BIBLIOGRAPHY as an associated
study 94, 97
BIESE 367
BIOGRAPHY, place of, in literary
study 94, 100-101, 108 ff., 123,
130
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