GORDON. O, thou shalt see its fairest grace and honour SWINTON. It did, before disasters had untuned me. GORDON. O, her notes Shall hush each sad remembrance to oblivion, Or wake the knight to battle; rouse to merriment, Bless'd privilege Of youth! There's scarce three minutes to decide [Enter VIPONT, Where are thine, De Vipont? VIPONT. On death-on judgment-on eternity! For time is over with us. SWINTON. There moves not, then, one pennon to our aid, Of all that flutter yonder ! VIPONT. From the main English host come rushing forward No, thou wilt not command me seek my safety,- Of the last hope which Heaven reserves for Scotland. Will turn his rein for life; but were I gone, What power can stay them? and, our band dispersed, And am I forced to yield the sad consent, Devoting thy young life? O Gordon, Gordon ! I do it as the patriarch doom'd his issue ; I at my country's, he at Heaven's command; But I seek vainly some atoning sacrifice, Rather than such a victim !-(Trumpets.) Hark, they come! That music sounds not like thy lady's lute. GORDON. Yet shall my lady's name mix with it gaily.- "Gordon! [Exeunt, Loud alarum, MISCELLANEOUS POEMS. THE VIOLET. It appears from the Life of Scott, vol. i. p. 333, that these lines, first published in the English Minstrelsy, 1810, were written in 1797, on occasion of the Poet's disappointment in love. THE violet in her greenwood bower, Where birchen boughs with hazels mingle, May boast itself the fairest flower In glen, or copse, or forest dingle. Though fair her gems of azure hue, Beneath the dew-drop's weight reclining; I've seen an eye of lovelier blue, More sweet through wat'ry lustre shining. The summer sun that dew shall dry, Ere yet the day be past its morrow; Nor longer in my false love's eye Remain'd the tear of parting sorrow. TO A LADY. WITH FLOWERS FROM A ROMAN WALL. [1797.] Written in 1797, on an excursion from Gillsland, in Cumberland. See Life, vol. i. p. 365. TAKE these flowers which, purple waving, On the ruin'd rampart grew, Where, the sons of freedom braving, Rome's imperial standards flew. Warriors from the breach of danger Pluck no longer laurels there; They but yield the passing stranger Wild-flower wreaths for Beauty's hair. THE BARD'S INCANTATION. WRITTEN UNDER THE THREAT OF INVASION IN THE AUTUMN OF 1804. There is a voice among the trees, There is a voice within the wood, "Wake ye from your sleep of death, The Spectre with his Bloody Hand, Is wandering through the wild woodland; The owl and the raven are mute for dread, And the time is meet to awake the dead! Nor through the pines, with whistling change Mimic the harp's wild harmony! Mute are ye now ?-Ye ne'er were mute, When Murder with his bloody foot, "O yet awake the strain to tell, By every deed in song enroll'd, By every chief who fought or fell, For Albion's weal in battle bold :From Coilgach, first who roll'd his car Through the deep ranks of Roman war, To him, of veteran memory dear, Who victor died on Aboukir. "By all their swords, by all their scars, By all their names, a mighty spell ! Arise, the mighty strain to tell! HELLVELLYN. In the spring of 1805, a young gentleman of talents, and of a most amiable disposition, perished by losing his way on the mountain Hellvellyn. His remains were not discovered till three months afterwards, when they were found guarded by a faithful terrier-bitch, his constant attendant during frequent solitary rambles through the wilds of Cumberland and Westmoreland. I CLIMB'D the dark brow of the mighty Hellvellyn, Lakes and mountains beneath me gleam'd misty and wide; All was still, save by fits, when the eagle was yelling, And starting around me the echoes replied. On the right, Striden-edge round the Red-tarn was bending, One huge nameless rock in the front was ascending, When I mark'd the sad spot where the wanderer had died. Dark green was that spot 'mid the brown mountain heather, How long didst thou think that his silence was slumber? And pages stand mute by the canopied pall: Through the courts, at deep midnight, the torches are gleaming; But meeter for thee, gentle lover of nature, To lay down thy head like the meek mountain lamb, And more stately thy couch by this desert lake lying, In the arms of Hellvellyn and Catchedicam. THE DYING BARD. [1806.] AIR-Daffydz Gangwen. The Welsh tradition bears, that a Bard, on his death-bed, demanded his harp, and played the air to which these verses are adapted; requesting that it might be performed at his funeral. I. DINAS EMLINN, lament; for the moment is nigh, When mute in the woodlands thine echoes shall die : II. In spring and in autumn thy glories of shade |