VictoryThe water is crystal clear. The sun is blazing. And there’s death on the horizon. Set at the turn of the 20th century, "Victory" takes place in the Dutch East Indies, now Indonesia. Its tortured hero is Axel Heyst, a loner whose empty life is turned around when he meets the beautiful musician Lena. They fall in love, but there’s danger looming. A trio of violent desperadoes are headed to their island, convinced that Heyst has a stash of hidden treasure. A sun-drenched psychological thriller, "Victory" was one of Conrad’s most commercially successful novels. And one that still shimmers with his masterful style and narrative rule-breaking. Joseph Conrad (1857–1924) was a Polish-British writer who left an indelible mark on world literature. After leaving Poland in his teens, Conrad spent years in the French and British merchant marines. His time at sea would inspire much of his writing. Rich in symbolism and rhythmic prose, his books often grapple with the horrors of European colonialism. His most famous story is "Heart of Darkness", an adventure set on the Congo River. Decades later, the movie "Apocalypse Now" updated the story to the Vietnam War. Conrad’s other works include the novels "Lord Jim", "Nostromo" and "The Secret Agent". |
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... tone in which there was no gratitude but only surprise. I must have been idle indeed to take the trouble to remark on such slight evidence that the voice was very charming and when the performers resumed their seats I shifted my ...
... tone in which there was no gratitude but only surprise. I must have been idle indeed to take the trouble to remark on such slight evidence that the voice was very charming and when the performers resumed their seats I shifted my ...
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... been so impressed by the tone, fervour, rapture, what you will, or perhaps by the incongruity of it that he had related the experience to more than one person. “Queer chap, that Swede,” was his only comment; but this.
... been so impressed by the tone, fervour, rapture, what you will, or perhaps by the incongruity of it that he had related the experience to more than one person. “Queer chap, that Swede,” was his only comment; but this.
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... tone: “And you are interested in—?” “Facts,” broke in Heyst in his courtly voice. “There's nothing worth knowing but facts. Hard facts! Facts alone, Mr. Tesman.” I don't know if old Tesman agreed with him or not, but he must have spoken ...
... tone: “And you are interested in—?” “Facts,” broke in Heyst in his courtly voice. “There's nothing worth knowing but facts. Hard facts! Facts alone, Mr. Tesman.” I don't know if old Tesman agreed with him or not, but he must have spoken ...
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... tone, the week was nearly out. Heyst crossed over, and said with a slight bow, and in the manner of a prince addressing another prince on a private occasion: “What an unexpected pleasure. Would you have any objection to drink something ...
... tone, the week was nearly out. Heyst crossed over, and said with a slight bow, and in the manner of a prince addressing another prince on a private occasion: “What an unexpected pleasure. Would you have any objection to drink something ...
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... tone, with a man-of-the- world air. “It's a villainous plot. Unluckily, one is helpless. That scoundrel Cousinho—Andreas, you know—has been coveting the brig for years. Naturally, I would never sell. She is not only my livelihood; she's ...
... tone, with a man-of-the- world air. “It's a villainous plot. Unluckily, one is helpless. That scoundrel Cousinho—Andreas, you know—has been coveting the brig for years. Naturally, I would never sell. She is not only my livelihood; she's ...
Contents
Section 22 | |
Section 23 | |
Section 24 | |
Section 25 | |
Section 26 | |
Section 27 | |
Section 28 | |
Section 29 | |
Section 9 | |
Section 10 | |
Section 11 | |
Section 12 | |
Section 13 | |
Section 14 | |
Section 15 | |
Section 16 | |
Section 17 | |
Section 18 | |
Section 19 | |
Section 20 | |
Section 21 | |
Section 30 | |
Section 31 | |
Section 32 | |
Section 33 | |
Section 34 | |
Section 35 | |
Section 36 | |
Section 37 | |
Section 38 | |
Section 39 | |
Section 40 | |
Section 41 | |
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Common terms and phrases
answer appeared arms asked believe better boat bungalow chair Chinaman clear close coming course dark Davidson don’t door doubt existence expected expression eyes face fact feeling feet fellow felt gave girl give glance gone governor hand head hear heard Heyst hold island Jones keep knew leaving Lena light lips living looked manner matter mean mind Morrison moved movement murmured mysterious nature never night observed once passed Pedro perhaps raised reason remained remarked Ricardo round Schomberg seemed seen shoulders side sight silence smile sort sound speak steps stopped strange suddenly suppose surprised talk tell There’s thing thought told tone took trouble turned understand veranda voice waited walked Wang watched whispered woman wonder