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in arm, glad enough, no doubt, to stretch their legg while resting their arms. Their crimson sashes gave a factitious touch of gaiety to the smoky atmosphere of the concert-hall; and Heyst felt a sudden pity for these beings, exploited, hopeless, devoid of charm and grace, whose fate of cheerless dependence invested their coarse and joyless features with a touch of pathos.
Heyst was temperamentally sympathetic. To have them passing and repassing close to his little table was painful to him. He was preparing to rise and go out when he noticed that two white muslin dresses and crimson sashes had not yet left the platform. One of these dresses concealed the raw-boned frame of the woman with the bad-tempered curve to her nostrils. She was no less a personage than Mrs. Zangiacomo. She had left the piano, and, with her back to the hall, was preparing the parts for the second half of the concert, with a brusque, impatient action of her ugly elbows. This task done, she turned, and, perceiving the other white muslin dress motionless on a chair in the second row, she strode towards it between the music-stands with an aggressive and masterful gait. On the lap of that dress there lay, unclasped and idle, a pair of small hands, not very white, attached to well-formed arms. The next detail Heyst was led to observe was the arrangement of the hair—two thick brown tresses rolled round an attractively shaped head.
“A girl, by Jove!” he exclaimed mentally.
It was evident that she was a girl. It was evident in the outline of the shoulders, in the slender white bust springing up, barred slantwise by the crimson sash, from the bell-shaped spread of muslin skirt hiding the chair on which she sat averted a little from the body of the hall. Her feet, in low white shoes, were crossed prettily.
She had captured Heyst's awakened faculty of observation; he had the sensation of a new experience. That was because his faculty of observation had never before been captured by any feminine creature in that marked and exclusive fashion. He looked at her anxiously, as no man ever looks at another man; and he positively forgot where he was. He had lost touch with his surroundings. The big woman, advancing, concealed the girl from his sight for a moment. She bent over the seated youthful figure, in passing it very close, as if to drop a word into its ear. Her lips did certainly move. But what sort of word could it have been to make the girl jump up so swiftly? Heyst, at his table, was surprised into a sympathetic start. He glanced quickly round. Nobody was looking towards the platform; and when his eyes swept back there again, the girl, with the big woman treading at her heels, was coming down the three steps from the platform to the floor of the hall. There she paused, stumbled one pace forward, and stood still again, while the other
the escort, the dragoon, the coarse big woman of the piano-passed her roughly, and, marching truculently down the centre aisle between the chairs and tables, went out to rejoin the hook-nosed Zangiacomo somewhere outside. During her extraordinary transit, as if everything in the hall were dirt under her feet, her scornful eyes met the upward glance of Heyst, who looked away at once towards the girl. She had not moved. Her arms hung down; her eyelids were lowered.
Heyst laid down his half-smoked cigar and compressed his lips. Then he got up. It was the same sort of impulse which years ago had made him cross the sandy street of the abominable town of Delli in the island of Timor and accost Morrison, practically a
stranger to him then, a man in trouble, expressively harassed, dejected, lonely.
It was the same impulse. But he did not recognize it. He was not thinking of Morrison then. It may be said that, for the first time since the final abandonment of the Samburan coal mine, he had completely forgotten the late Morrison. It is true that to a certain extent he had forgotten also where he was. Thus, unchecked by any sort of self-consciousness, Heyst walked up the central passage.
Several of the women, by this time, had found anchorage here and there among the occupied tables. They talked to the men, leaning on their elbows, and suggesting funnily—if it hadn't been for the crimson sashes in their white dresses an assembly of middleaged brides with free and easy manners and hoarse voices. The murmuring noise of conversations carried on with some spirit filled Schomberg's concert-room. Nobody remarked Heyst's movements; for indeed he was not the only man on his legs there. He had been confronting the girl for some time before she became aware of his presence. She was looking down, very still, without colour, without glances, without voice, without movement. It was only when Heyst addressed her in his courteous tone that she raised her eyes.
“Excuse me,” he said in English, “but that horrible female has done something to you. She has pinched you, hasn't she? I am sure she pinched you just now, when she stood by your chair.'
The girl received this overture with the wide, motionless stare of profound astonishment. Heyst, vexed with himself, suspected that she did not understand what he said. One could not tell what nationality these women were, except that they were of all sorts. But she was astonished almost more by the near prese
ence of the man himself, by this largely bald head, by the white brow, the sunburnt cheeks, the long, horizontal moustaches of crinkly bronze hair, by the kindly expression of the man's blue eyes looking into her own. He saw the stony amazement in hers give way to a momentary alarm, which was succeeded by an expression of resignation.
“I am sure she pinched your arm most cruelly," he murmured, rather disconcerted now at what he had done.
It was a great comfort to hear her say:
“It wouldn't have been the first time. And suppose she did—what are you going to do about it?”
“I don't know," he said with a faint, remote playfulness in his tone which had not been heard in it lately, and which seemed to catch her ear pleasantly. “I am grieved to say that I don't know. But can I do anything? What would you wish me to do? Pray command me.
Again the greatest astonishment became visible in her face; for she now perceived how different hewasfrom the other men in the room. He was as different from them as she was different from the other members of the ladies' orchestra.
“Command you?” she breathed, after a time, in a bewildered tone. “Who are you?” she asked a little louder.
“I am staying in this hotel for a few days. I just dropped in casually here. This outrage
“Don't you try to interfere,” she said so earnestly that Heyst asked, in his faintly playful tone:
"Is it your wish that I should leave you?”
"I haven't said that,” the girl answered. “She pinched me because I didn't get down here quick enough.”
"I can't tell you how indignant I am,” said Heyst. “But since you are down here now,” he went on, with the ease of a man of the world speaking to a young lady in a drawing-room, “hadn't we better sit down?'
She obeyed his inviting gesture, and they sat down on the nearest chairs. They looked at each other across a little round table with a surprised, open gaze, selfconsciousness growing on them so slowly that it was a long time before they averted their eyes; and very soon they met again, temporarily, only to rebound, as it were. At last they steadied in contact, but by that time, say some fifteen minutes from the moment when they sat down, the "interval" came to an end.
So much for their eyes. As to the conversation, it had been perfectly insignificant, because naturally they had nothing to say to each other. Heyst had been interested by the girl's physiognomy. Its expression was neither simple nor yet very clear. It was not distinguished—that could not be expected—but the features had more fineness than those of any other feminine countenance he had ever had the opportunity to observe so closely. There was in it something indefinably audacious and infinitely miserable because the temperament and the existence of that girl were reflected in it. But her voice! It seduced Heyst by its amazing quality. It was a voice fit to utter the most exquisite things, a voice which would have made silly chatter supportable and the roughest talk fascinating. Heyst drank in its charm as one listens to the tone of some instrument without heeding the tune.
“Do you sing as well as play?” he asked her abruptly.
“Never sang a note in my life,” she said, obviously surprised by the irrelevant question; for they had not been discoursing of sweet sounds. She was clearly unaware of her voice. "I don't remember that I ever