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The Cuban sprang towards me with an immense anxiety of hospitableness. I was to sleep on his couch, the couch of cloth of gold. It was impossible, it was insulting, that I should think of sleeping in the corridor. He thrust me gently down upon it, making with his plump hands the motions of smoothing it to receive me. I laid down and turned my face to the wall.
It wasn't possible to sleep, even though the little Cuban, with a tender solicitude, went round the walls blowing out the candles. He might be useful to me, might really explain matters to the Captain-General, or might even, as a last resource, take a letter from me to the British Consul. But I should have to be alone with him. Nichols was an abominable scoundrel; bloodthirsty to the defenseless; a liar; craven before the ghost of a threat. No doubt O'Brien did not want to give him up. Perhaps he had papers. And no doubt, once he could find a trace of Seraphina's whereabouts, O'Brien would give me up. All I could do was to hope for a gain of time. And yet, if I gained time, it could only mean that I should in the end be given up to the admiral.
And Seraphina's whereabouts. It came over me lamentably that I myself did not know. The Lion might have sailed. It was possible. She might be at sea. Then, perhaps, my only chance of ever seeing her again lay in my being given up to the admiral, to stand in England a trial, perhaps for piracy, perhaps for treason. I might meet her only in England, after many years of imprisonment. It wasn't possible. I would not believe in the possibility. How I loved her! How wildly, how irrationally-this woman of another race, of another world, bound to me by sufferings together, by joys together. Irrationally! Looking at the matter now, the reason is plain enough. Before then I had not lived. I had only waited for her and for what she stood for. It was
blood, in my race, in my tradition, in my training. We, all of us for generations, had made for efficiency, for drill, for restraint. Our Romance was just this very Spanish contrast, this obliquity of vision, this slight tilt of the convex mirror that shaped the same world so differently to onlookers at different points of its circle.
I could feel a little of it even then, when there was only the merest chance of my going back to England and getting back
towards our old position on the rim of the mirror. The deyiousness, the wayward passion, even the sempiternal abuses of the land were already beginning to take the aspect of something like quaint impotence. It was charm that, now I was on the road away, was becoming apparent. The inconveniences of life, the physical discomforts, the smells of streets, the heat, dropped into the background. I felt that I did not want to go away, irrevocably from a land sanctioned by her presence, her young life. I turned uneasily to the other side. At the heavy black table, in the light of a single candle, the Cuban and the Nova-Scotian were discussing, their heads close together.
“I tell you no," Nichols was saying in a fluent, abominable, literal translation into Spanish. Take the knife so. .. thumb upwards. Stab down in the soft between the neck and the shoulder-blade. You get right into the lungs with the point. I've tried it: ten times. Never stick the back. The chances are he moves, and you hit a bone. There are no bones there. It's the way they kill pigs in New Jersey."
The Cuban bent his brows as if he were reflecting over a chessboard. “Ma ...” he pondered. His knife was lying on the table. He unsheathed it, then got up, and moved behind the seated Nova Scotian. You
say there?” he asked, pressing his little finger at the base of Nichols' skinny column of a neck. "And then ... He measured the length of the knife on Nichols's back twice with elaborate care, breathing through his nostrils. Then he said with a convinced, musing air, “It is true. It would go down into the lungs."
“And there are arteries and things," Nichols said.
“Yes, yes,” the Cuban answered, sheathing the knife and thrusting it into his belt.
“With a knife that length it's perfect.” Nichols waved his shadowy hand towards Salazar's scarf. Salazar moved off a little.
“I see the advantages,” he said. “No crying out, because of the blood in the lungs. I thank you, Señor Escoces.”
Nichols rose, lurching to his full height, and looked in my direction. I closed my eyes. I did not wish him to talk to me. I heard him say:
“Well, hasta mas ver. I shall get away from here. Goodnight.”
He swayed an immense shadow through the door. Salazar took the candle and followed him into the corridor.
Yes, that was it, why she was so great a part, a whole wall, a whole beam of my life's house. I saw her suddenly in the blackness, her full red lips, her quivering nostrils, the curve of her breasts, her lithe movements from the hips, the way she set her feet down, the white flower waxen in the darkness of her hair, and the robin-wing flutter of her lids over her gray eyes when she smiled. I moved convulsively in my intense desire. I would have given my soul, my share of eternity, my honor, only to see that flutter of the lids over the shining gray eyes. I never felt I was beneath the imponderable pressure of a prison's wall till then. She was infinite miles away; I could not even imagine what inanimate things surrounded her. She must be talking to someone else; fluttering her lids like that. I recognized with a physical agony that was more than jealousy how slight was my hold upon her.
It was not in her race, in her blood as in mine, to love me and my type. She had lived all her life in the middle of Romance, and the very fire and passion of her South must make me dim prose to her. I remember the Aicker of Salazar's returning candle, cast in lines like an advancing scythe across the two walls from the corridor. I slept.
I had the feeling of appalled horror suddenly invading my sleep; a vast voice seemed to be exclaiming:
Tell me where she is!” I looked at the glowing horn of a lanthorn. It was O'Brien who held it. He stood over me, very somber.
"Tell me where she is,” he said, the moment my eyes opened. I said, She's . . . she's I don't know."
It appalls me even now to think how narrow was my escape. It was only because I had gone to sleep in the thought that I did not know, that I answered that I did not know. Ah—he was a cunning devil! To suddenly wake one; to get one's thoughts before one had had time to think! I lay looking at him, shivering. I couldn't even see much of his face.
“Where is she?” he said again. “Where? Dead? Dead? God have mercy on your soul if the child is dead!”
I was still trembling. If I had told him!—I could hardly
Where is she?” he asked again.
He ground his teeth, bending very low over me; then stood
What do I care for all the admirals? ” he was speaking to himself. “No ship shall leave Havana till. ..." He groaned. I heard him slap his forehead, and say distractedly, “But perhaps she is not in a ship."
There was a silence in which I heard him breathe heavily,
A vast and towering shadow ran along the wall. There wasn't
Look. . . .” and before he could move the knife went softly home between neck and shoulder. Salazar glided to the door and turned to wave his hand at me. O'Brien's lips were pressed tightly together, the handle of the knife was against his ear, the lanthorn hung at the end of his rigid arm for a moment. As he lowered it, the blood spurted from his shoulder as if from a burst stand-pipe, only black and warm.
It fell over my face, over my hands, everywhere. For a minute of eternity his agonized eyes searched my features, as if to discern whether I had connived, whether I had condoned.
I had started up, my face coming right against his. I felt an immense horror. What did it mean? What had he done? He had been such a power for so long, so inevitably, over my whole life that I could not even begin to understand that this was not some new subtle villainy of his. He shook his head slowly, his ear disturbing the knife.
Then he turned jerkily on his heel, the lanthorn swinging round and leaving me in his shadow. There were ten paces to reach the door. It was like the finish of a race whether he would cover the remaining seven after the first three steps. The dangling lanthorn shed small patches of light through the holes in the metal top, like sunlight through leaves, upon the gloom of the remote ceiling. At the fifth step he pressed his hand spasmodically to his mouth; at the sixth he wavered to one side. I made a sudden motion as if to save him from falling. He was dying! He was dying! I hardly realized what it meant. This immense weight was being removed from me. I had no need to fear him any more. I couldn't understand, I could only look. This was his passing. This. ...
He sank, knelt down, placing the lanthorn on the floor. He covered his face with his hands and began to cough incessantly, like a man dying of consumption. The glowing top of the lanthorn hissed and sputtered out in little sharp blows, like hammer strokes
. Carlos had coughed like that. Carlos was dead. Now O'Brien! He was going. I should escape. It was all over. Was it all over? He bowed stiffly forward, placing his hands on the stones, then lay over on his side with his face to the light, his eyes glaring at it. I sat motionless, watching him. The lanthorn lit the carved leg of the black table and a dusty circle of the flags. The spurts of blood from his shoulder grew less long in answer to the pulsing of his heart; his fists unclenched, he drew his legs up to his body, then sank down. His eyes looked suddenly at mine and, as the features slowly relaxed, the smile seemed to come back, enigmatic, round his mouth.
He was dead; he was gone; I was free! He would never know where she was; never! He had gone, with the question on his lips; with the agony of uncertainty in his eyes. From the door came an immense, grotesque, and horrible chuckle.
“Aha! Aha! I have saved you, señor, I have protected you. We are as brothers.”
Against the tenuous blue light of the dawn Salazar was gesticulating in the doorway. I felt a sudden repulsion; a feeling of intense disgust. O'Brien lying there, I almost wished alive again -I wanted to have him again, rather than that I should have been