Complete Course in Public Speaking |
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Page xiv
... emotion as inflectional determinants Some general principles of inflection • 115 117 118 • The conversational type of inflection most expressive Exercises 120 · 121 · CHAPTER Selections for practical application Moses ' Bargain ...
... emotion as inflectional determinants Some general principles of inflection • 115 117 118 • The conversational type of inflection most expressive Exercises 120 · 121 · CHAPTER Selections for practical application Moses ' Bargain ...
Page xix
... physical states or actions 5. Expressive of mental or emotional states or actions The parts of a manual gesture A. Preparation B. Stroke 8 8 • 9 10 10 11 CHAPTER C. Relaxation The essential characteristics of gesture A. Ease CONTENTS xix.
... physical states or actions 5. Expressive of mental or emotional states or actions The parts of a manual gesture A. Preparation B. Stroke 8 8 • 9 10 10 11 CHAPTER C. Relaxation The essential characteristics of gesture A. Ease CONTENTS xix.
Page xxiv
... emotional appeal D. Exhorting to action E. Summary VII . PREPARATION FOR A SPEECH A. General preparation B. Specific preparation I. Investigation a . Making a bibliography b . Reading and note - taking c . Adjusting the notes II ...
... emotional appeal D. Exhorting to action E. Summary VII . PREPARATION FOR A SPEECH A. General preparation B. Specific preparation I. Investigation a . Making a bibliography b . Reading and note - taking c . Adjusting the notes II ...
Page 73
... emotion . This knowledge should be so absorbed in connection with his practice that the proper vocal responses will become , in a large measure , habitual , automatic . If this is achieved he will , to illustrate , speak with ...
... emotion . This knowledge should be so absorbed in connection with his practice that the proper vocal responses will become , in a large measure , habitual , automatic . If this is achieved he will , to illustrate , speak with ...
Page 74
... emotion with the least conscious effort . -- Now for the second general idea to be kept in mind while working on voice properties . Assuming that by instinct , either natural or acquired , a person is aware of the most approved manner ...
... emotion with the least conscious effort . -- Now for the second general idea to be kept in mind while working on voice properties . Assuming that by instinct , either natural or acquired , a person is aware of the most approved manner ...
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Common terms and phrases
arms articulation audience better Cæsar called cavities CHAPTER clear common consonant cried dead death desirable diaphragm digraph diphthong discussion drawbridge effect emotional error example EXERCISES expression eyes feeling force gesture give glottis hand hard palate hear heart honorable idea inflection inhalation Julius Cæsar larynx Lilian lips living look Lord lower lungs Lycidas marked barriers means ment mind mouth nasal passages never night normal organs pause pharynx phrasing pitch position principles produced pronunciation raised Repeat resonance cavities SELECTIONS FOR PRACTICAL sentence Silas Marner silent soft palate sometimes sonants sound is represented speaker speaking speech stress stroke student suggest syllable teeth are placed thee thing thoracic cavity thou thought throat tion tone tongue unvocalized utterance vocal bands vocalized breath voice voice-box vowel vowel sounds Warren Hastings wind words
Popular passages
Page 102 - Far-called, our navies melt away; On dune and headland sinks the fire: Lo, all our pomp of yesterday Is one with Nineveh and Tyre ! Judge of the Nations, spare us yet, Lest we forget - lest we forget...
Page 156 - We thought as we hollowed his narrow bed And smoothed down his lonely pillow, That the foe and the stranger would tread o'er his head, And we...
Page 267 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Page 267 - The torrent roar'd, and we did buffet it With lusty sinews, throwing it aside And stemming it with hearts of controversy ; But ere we could arrive the point proposed, Caesar cried ' Help me, Cassius, or I sink...
Page 189 - Once more unto the breach, dear friends, once more, Or close the wall up with our English dead ! In peace there's nothing so becomes a man As modest stillness and humility ; But when the blast of war blows in our ears, Then imitate the action of the tiger...
Page 133 - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature: for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Page 24 - Tempered to the oaten flute ; Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long ; And old Damoetas loved to hear our song.
Page 133 - O, it offends me to the soul to hear a robustious periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings...
Page 155 - Not a drum was heard, not a funeral note, As his corse to the rampart we hurried ; Not a soldier discharged his farewell shot O'er the grave where our hero we buried.
Page 259 - For I dipt into the future, far as human eye could see, Saw the Vision of the world, and all the wonder that would be...