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THE

THE MEETING.

HE elders shook their hands at last,
Down seat by seat the signal passed.
To simple ways like ours unused,

Half solemnized and half amused,
With long-drawn breath and shrug, my guest
His sense of glad relief expressed.
Outside the hills lay warm in sun;
The cattle in the meadow-run
Stood half-leg deep; a single bird
The green repose above us stirred.
"What part or lot have you," he said,
"In these dull rites of drowsy-head?
Is silence worship? - Seek it where
It soothes with dreams the summer air,
Not in this close and rude-benched hall,
But where soft lights and shadows fall,
And all the slow, sleep-walking hours
Glide soundless over grass and flowers!
From time and place and form apart,
Its holy ground the human heart,
Nor ritual-bound nor templeward
Walks the free spirit of the Lord!
Our common Master did not pen
His followers up from other men;
His service liberty indeed,

He built no church, he framed no creed;

But while the saintly Pharisee

Made broader his phylactery,

As from the synagogue was seen

The dusty-sandalled Nazarene

Through ripening cornfields lead the way
Upon the awful Sabbath day,

His sermons were the healthful talk
That shorter made the mountain-walk,
His wayside texts were flowers and birds,
Where mingled with His gracious words
The rustle of the tamarisk-tree
And ripple-wash of Galilee."

"Thy words are well, O friend," I said;
"Unmeasured and unlimited,
With noiseless slide of stone to stone,
The mystic Church of God has grown.
Invisible and silent stands

The temple never made with hands,
Unheard the voices still and small
Of its unseen confessional.

He needs no special place of prayer

Whose hearing ear is everywhere;

He brings not back the childish days
That ringed the earth with stones of praise,
Roofed Karnak's hall of gods, and laid
The plinths of Phila's colonnade.
Still less He owns the selfish good
And sickly growth of solitude, —
The worthless grace that, out of sight,
Flowers in the desert anchorite ;
Dissevered from the suffering whole,
Love hath no power to save a soul.
Not out of Self, the origin
And native air and soil of sin,
The living waters spring and flow,
The trees with leaves of healing grow.

"Dream not, O friend, because I seek
This quiet shelter twice a week,
I better deem its pine-laid floor
Than breezy hill or sea-sung shore;
But here, in its accustomed place,
I look on memory's dearest face;
The blind by-sitter guesseth not
What shadow haunts that vacant spot;
No eye save mine alone can see
The love wherewith it welcomes me!
And still, with those alone my kin,
In doubt and weakness, want and sin,
I bow my head, my heart I bare
As when that face was living there,
And strive (too oft, alas! in vain)
The rest of simple trust to gain;
Fold fancy's restless wings, and lay
The idols of my heart away.

"Welcome the silence all unbroken,
Nor less the words of fitness spoken, ·
Such golden words as hers for whom
Our autumn flowers have just made room;
Whose hopeful utterance through and through

The freshness of the morning blew;

Who loved not less the earth that light

Fell on it from the heavens in sight,

But saw in all fair forms more fair
The Eternal beauty mirrored there.
Whose eighty years but added grace
And saintlier meaning to her face,·
The look of one who bore away
Glad tidings from the hills of day,
While all our hearts went forth to meet

The coming of her beautiful feet!

"I ask no organ's soulless breath

To drone the themes of life and death,
No altar candle-lit by day,

No ornate wordsman's rhetoric-play,

No cool philosopher to teach

His bland audacities of speech

To double-tasked idolaters

Themselves their gods and worshippers,
No pulpit beat by ruthless fist
Of loud-asserting dogmatist,

Who borrows for the hand of love
The smoking thunderbolts of Jove.
I know how well the fathers taught,
What work the later schoolmen wrought;
I reverence old-time faith and men,
But God is near us now as then ;
His force of love is still unspent,
His hate of sin as imminent;

And still the measure of our needs
Outgrows the cramping bounds of creeds;
The manna gathered yesterday

Already savors of decay;

Doubts to the world's child-heart unknown
Question us now from star and stone;

Too little or too much we know,
And sight is swift and faith is slow;
The power is lost to self-deceive
With shallow forms of make-believe.
We walk at high noon, and the bells
Call to a thousand oracles,
But the sound deafens, and the light
Is stronger than our dazzled sight;
The letters of the sacred Book
Glimmer and swim beneath our look;
Still struggles in the Age's breast
With deepening agony of quest
The old entreaty: Art thou He,

Or look we for the Christ to be?'

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The soul is lost that 's saved alone.
Not on one favored forehead fell
Of old the fire-tongued miracle,

But flamed o'er all the thronging host
The baptism of the Holy Ghost;
Heart answers heart; in one desire
The blending lines of prayer aspire ;
'Where, in my name, meet two or three,'
Our Lord hath said, 'I there will be!'

"So sometimes comes to soul and sense
The feeling which is evidence

That very near about us lies
The realm of spiritual mysteries.
The sphere of the supernal powers
Impinges on this world of ours.
The low and dark horizon lifts,
To light the scenic terror shifts;
The breath of a diviner air

Blows down the answer of a prayer:
That all our sorrow, pain, and doubt
A great compassion clasps about,
And law and goodness, love and force,
Are wedded fast beyond divorce.
Then duty leaves to love its task,
The beggar Self forgets to ask;
With smile of trust and folded hands,
The passive soul in waiting stands
To feel, as flowers the sun and dew,
The One true Life its own renew.

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"So, to the calmly-gathered thought
The innermost of truth is taught,
The mystery dimly understood,
That love of God is love of good;
That to be saved is only this,
Salvation from our selfishness;
That Book and Church and Day are given
For man, not God, for earth, not heaven,
The blessed means to holiest ends,
Not masters, but benignant friends;
That the dear Christ dwells not afar
The king of some remoter star,
Listening, at times, with flattered ear
To homage wrung from selfish fear,
But here, amidst the poor and blind,
The bound and suffering of our kind,
In works we do, in prayers we pray,
Life of our life, he lives to-day."

FOUR MONTHS ON THE STAGE.

BY A PAINTER.

NOT long since, combined necessity 1866, having convinced that gentleman

and inclination led me into an unknown country, as it were, where it was my fortune to encounter many surprising novelties. It happened in this wise. I was a painter, and had been for some years enthusiastically, but far from profitably, devoted to my art, when one day I was suddenly made aware that my exchequer had become lean, consumptive, nay, utterly collapsed, and that I must do something to get my daily bread and butter.

Naturally imaginative, and having more or less closely observed men and things from the painter's stand-point, I had not been so completely taken up with my own art as to shut my eyes to the intimate relation and interdependence of all the arts. Indeed, this underlying unity had always been a favorite subject of contemplation, and I was now induced to think that, though my artistic sense might be denied the dearer method of expression, still another was left, not inadequate, and for which I believed myself in a measure fit. In short, I made up my mind to strut a brief hour on the stage, and thus put what dramatic talent I possessed to immediate use. I determined on this course, moreover, because I could offer my services as a commodity which would bring a price somewhat corresponding to its real worth in the theatrical market. Acting is in one respect like sawing wood; for a stipulated sum an alloted task is to be accomplished; beyond this arrangement one preserves as complete independence as is possiblein any business relation.

Without consulting any one, or making undue delay, I sought means to carry out my intention. Having obtained from a friend a letter of introduction to Mr. Edwin Booth, and, during an interview late in the summer of VOL. XXI.— NO. 124.

15

that I was no sentimental, stage-struck youth, but well aware of the serious difficulties to be surmounted and the indignities to be borne, and that I was willing to fight, he generously extended to me the right hand of fellowship; my name was enrolled in the "Winter Garden" company, and I thus became a member of the actors' guild. Having thorough conception of the inevitable apprenticeship to be served before the first principle of art can be mastered, I did not expect that the treatment of important characters would be intrusted to me. Nor did I desire it. Thinking that a true artist may assert his feeling in carving a knife-handle as well as in hewing a colossal statue, the difference being only in degree, I deemed it an ample opportunity that I should be permitted to play what are called inferior parts, and thought it no shame to give my whole strength to the study of the most insignificant rôle in which I might be cast. For experience had taught me that, in getting at a refined conception of the essential qualities of Shakespeare's characters, it was not only requisite to study a part itself, but to comprehend the play in its entirety, and the relations of all the dramatis persona. I saw also that, though I might have in my own mind a clear image of the character I would exhibit, the limitations of the art must then be known before I could hope to make my conception evident to an audience. Art is not nature, but the interpretation of nature; and in reconciling what I knew of the latter to the exigencies of the stage, I anticipated not only difficulty, but was prepared to encounter failure if need were, and even through defeat win the laurel I coveted, - which was not a clapping of hands. Luckily, I had never acquired the

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