The Sonnets of William Shakspere |
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Page iv
... . What is your substance , whereof are you made LIV . O , how much more doth beauty beauteous seem • 37 38 39 40 41 42 43 44 45 46 47 48 · 49 • 50 51 52 53 54 • LV . Not marble , nor the gilded monuments iv CONTENTS .
... . What is your substance , whereof are you made LIV . O , how much more doth beauty beauteous seem • 37 38 39 40 41 42 43 44 45 46 47 48 · 49 • 50 51 52 53 54 • LV . Not marble , nor the gilded monuments iv CONTENTS .
Page xi
... seem to myself conjectural . After this warning , I ask the friendly reader not to grow too soon impatient ; and if , going through the text care- fully , he will confider for himself the points which I have noted , I have a hope that ...
... seem to myself conjectural . After this warning , I ask the friendly reader not to grow too soon impatient ; and if , going through the text care- fully , he will confider for himself the points which I have noted , I have a hope that ...
Page xxi
... seem wonderful only to those who keep a conftant guard upon their affections , and to those who have no need to keep a guard at all . In the Renascence epoch among natural products of a time when life ran fwift and free , touching with ...
... seem wonderful only to those who keep a conftant guard upon their affections , and to those who have no need to keep a guard at all . In the Renascence epoch among natural products of a time when life ran fwift and free , touching with ...
Page xliv
... seems to me the more likely supposition of the two . The argument for this or that date from coin- cidences in expreffion between the Sonnets and certain plays of Shakfpere has no decifive force . Coincidences may often be found between ...
... seems to me the more likely supposition of the two . The argument for this or that date from coin- cidences in expreffion between the Sonnets and certain plays of Shakfpere has no decifive force . Coincidences may often be found between ...
Page xlv
... of the Quarto . But the force of this remark seems to me to apply with certainty only to Sonnets I. - CXXVI . The second series , CXXVII . - CLIV . , al- though fome of its pieces are evidently con- nected with INTRODUCTION . xlv.
... of the Quarto . But the force of this remark seems to me to apply with certainty only to Sonnets I. - CXXVI . The second series , CXXVII . - CLIV . , al- though fome of its pieces are evidently con- nected with INTRODUCTION . xlv.
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Common terms and phrases
abfence againſt alſo Antony & Cleopatra beauty beauty's beſt bleſſed breaſt cloſe Compare Sonnet Cymbeline death defire doth Dyce fair falſe fame feems fhall fing firſt fome forrow foul ftill fuch fuggefts fummer Gentlemen of Verona glaſs hath heart himſelf itſelf King Henry laſt lines live look loſs love's Malone mayſt Meaſure Merchant of Venice miſtreſs moſt Muſe muſt myſelf night paffion paſt perfons pleaſe pleaſure poems poet praiſe preſent propoſes Quarto reaſon Romeo & Juliet roſe ſay ſecond ſee ſeem ſeen ſenſe ſhadow Shakſpere Shakſpere's ſhall ſhame ſhe ſhould ſhow ſkill ſome Sonnet 9 ſpeak ſpirit ſpoken ſtand ſtate ſtay Steevens ſtill ſtore ſtrange ſubject ſuch ſweet thee themſelves theſe thine eyes thoſe thou art thou doft thought thy fweet thyſelf Time's Timon of Athens treaſure truth uſe Venus & Adonis verfe verſe waſte Whilft whoſe yourſelf youth