Queer Race: Cultural Interventions in the Racial Politics of Queer TheoryOne of the first extended and theoretically informed investigations of queer theory's racial inscription, Queer Race understands race as inextricably sexualized, as sexuality is always racially marked. The book critically and playfully explores intellectual and political deployments of the term queer , gay pornographic videos about South Africa, contemporary literary representations of interracial gay desire, the writings of Gloria Anzald a, and Jeffrey Dahmer's criminal trial. Through these explorations, Queer Race charts a framework for understanding the race of queer theory that both tests queer theory's limits and suggests its future inter-relations with anti-racist work. |
From inside the book
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Page 61
... scene we see Kenneth as much aroused by the cultural baggage of racist desire as he is exorcizing it — in fact , his arousal becomes one way of exorcizing it . Kenneth " wonders if he is lying " when he tells Evan that Evan is just ...
... scene we see Kenneth as much aroused by the cultural baggage of racist desire as he is exorcizing it — in fact , his arousal becomes one way of exorcizing it . Kenneth " wonders if he is lying " when he tells Evan that Evan is just ...
Page 62
... scene , are merely one instance of a pervasive pattern of performative discourses , structures , and practices in ... scenes , and people , both around him and imagined . Evan and Kenneth tell each other stories and act out a variety of ...
... scene , are merely one instance of a pervasive pattern of performative discourses , structures , and practices in ... scenes , and people , both around him and imagined . Evan and Kenneth tell each other stories and act out a variety of ...
Page 84
... scene after Dahmer convinced them that Sinthasomphone was his adult lover.12 Dahmer killed Sinthasomphone shortly afterwards . What is particularly remarkable about these scenes is that before and after each of them Dahmer had on many ...
... scene after Dahmer convinced them that Sinthasomphone was his adult lover.12 Dahmer killed Sinthasomphone shortly afterwards . What is particularly remarkable about these scenes is that before and after each of them Dahmer had on many ...
Contents
The Men of South Africa | 19 |
Representing Race in the Discourse of Desire | 35 |
Gloria Anzaldúas Queer Mestisaje | 63 |
Copyright | |
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Queer Race: Cultural Interventions in the Racial Politics of Queer Theory Ian Barnard Limited preview - 2004 |
Common terms and phrases
activists African-American agenda antihomophobic antiracist Anzaldúa apartheid argue Asian B-Boy B-Boy Blues binary black gay Borderlands/La Frontera Chapter Chicana constructed context critical critique culture Dahmer killed Dahmer murdered Dahmer's gayness difference discourses discussion Dvorchak and Holewa epistemologies exoticizing explicitly fantasy feminism feminist fetish film flyer Gay and Lesbian gay community gay desire gay identity gay male gay pornography Gloria Anzaldúa Grumley heterosexual homoerotic homophobia homophobic homosexuality Ibid identifications interracial desire interracial gay interracial relationships Isaac Julien Jeffrey Dahmer Kenneth kind Latino lesbian and gay lover Mapplethorpe mestiza Milwaukee narrative narrator novel O.J. Simpson particular politicized pornography potential queer identity Queer Nation queer race queer theory queers of color race and sexuality racial racist reading representations scene serial killer sexual identity sexual orientation social South Africa specific Stambolion stereotypes subjectivity suggest tion transcendent trial understanding United viewers white gay writing York zine