Timber, Or, Discoveries Made Upon Men and MatterGinn, 1892 - 166 pages |
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... poets ; Jon- son was the Virgil , the pattern of elaborate writing . . . . To conclude of him as he has given us the ... poet's as is the trimming and hedging morality of the essay on ' simulation and dissimulation ' from the spirit and ...
... poets ; Jon- son was the Virgil , the pattern of elaborate writing . . . . To conclude of him as he has given us the ... poet's as is the trimming and hedging morality of the essay on ' simulation and dissimulation ' from the spirit and ...
Page xii
... poet , William Drummond , at Haw- thornden , the latter's country - seat . In the words of Pro- fessor Ward : " His [ Jonson's ] moral like his physical nature was cast in a generously ample mould ; he spoke his mind freely in praise ...
... poet , William Drummond , at Haw- thornden , the latter's country - seat . In the words of Pro- fessor Ward : " His [ Jonson's ] moral like his physical nature was cast in a generously ample mould ; he spoke his mind freely in praise ...
Page xiii
... poets hastened to pay their tributes of acknowledgment to one who seems to have been loved more than he was feared , and to ... poet became dependent on the liberality of noble patrons , and yet the friendship of many of the greatest and ...
... poets hastened to pay their tributes of acknowledgment to one who seems to have been loved more than he was feared , and to ... poet became dependent on the liberality of noble patrons , and yet the friendship of many of the greatest and ...
Page xv
... poet's daily reading . " But it would be far from just to regard this as all . For every note is stamped with the powerful indi- viduality of the writer , so that even the reflected thoughts of others have become wholly Jonson's own ...
... poet's daily reading . " But it would be far from just to regard this as all . For every note is stamped with the powerful indi- viduality of the writer , so that even the reflected thoughts of others have become wholly Jonson's own ...
Page xvi
... poets , nearly all of which are to be found in a passage of the Discoveries ( see 75 24-76 8 , and the notes thereon , in which Howell's letter is quoted ) . Unfortunately for this bit of evidence , the letter mentions The Magnetic Lady ...
... poets , nearly all of which are to be found in a passage of the Discoveries ( see 75 24-76 8 , and the notes thereon , in which Howell's letter is quoted ) . Unfortunately for this bit of evidence , the letter mentions The Magnetic Lady ...
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Common terms and phrases
action Æneid affectation allusion ancient Aristophanes Aristotle Bacon Ben Jonson Cæsar called Chimæras Cicero Cloth comedy conceit contemporary Controv counsel Defense of Poesie delight Demaratus Discoveries doth dramatic Drummond elder Seneca Elizabethan eloquence English Ennius envy epigrams essay Euripides excellent expression fable favor feign folio reads fool Gram Greek hæc hath Hist Homer honor Horace ibid Iliad imitation Inst Introduction price invention Jonson judgment Julius Cæsar king labor language Latin laughter learning less letters Lord Magnetic Lady marginal note matter memory mind nature never opinion painting passage perfect person Plautus play Plutarch poem poet Poetica poetry praise prince prose quæ quam Quintilian references Roman says Sejanus Seneca sense seqq Shakespeare Silent Woman Sir Thomas Sophocles speak speech style Suetonius Swinburne Tacitus things tion translated truth verses vice Virgil virtue whole wise words writing ΙΟ
Popular passages
Page 23 - Sufflaminandus erat; as Augustus said of Haterius. His wit was in his own power: would the rule of it had been so too ! Many times he fell into those things could not escape laughter ; as when he said in the person of Caesar, one speaking to him: " Caesar, thou dost me wrong," he replied: " Caesar did never wrong but with just cause," and such like ; which were ridiculous.
Page 30 - His hearers could not cough or look aside from him without loss. He commanded where he spoke, and had his judges angry and pleased at his devotion. No man had their affections more in his power. The fear of every man that heard him was lest he should make an end.
Page 31 - My conceit of his person," says Ben Jonson very finely, " was never increased towards him by his place or honours ; but I have and do reverence him for the greatness that was only proper to himself; in that he seemed to me ever, by his work, one of the greatest men and most worthy of admiration, that had been in many ages. In his adversity I ever prayed that God would give him strength ; for greatness he could not want.
Page 23 - I remember the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been ' Would he had blotted a thousand !'; which they thought a malevolent speech.
Page 149 - By these, therefore, examples and reasons, I think it may be manifest that the poet, with that same hand of delight, doth draw the mind more effectually than any other art doth. And so a conclusion not unfitly...
Page 96 - But that which most doth take my Muse and me Is a pure cup of rich canary wine, Which is the Mermaid's now, but shall be mine; Of which had Horace or Anacreon tasted, Their lives, as do their lines, till now had lasted.
Page 111 - That low man seeks a little thing to do, Sees it and does it : This high man, with a great thing to pursue, Dies ere he knows it.
Page 147 - As you were going to a feast; Still to be powdered, still perfumed: Lady, it is to be presumed, Though art's hid causes are not found, All is not sweet, all is not sound. Give me a look, give me a face, That makes simplicity a grace; Robes loosely flowing, hair as free: Such sweet neglect more taketh me Than all the adulteries of art ; They strike mine eyes, but not my heart.
Page 23 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature...
Page 54 - In style, to consider what ought to be written, and after what manner, he must first think and excogitate his matter, then choose his words, and examine the weight of either. Then take care, in placing and ranking both matter and words, that the composition be comely; and to do this with diligence and often. No matter how slow the style be at first, so it be labored and accurate; seek the best, and be not glad of the forward conceits or first words that offer themselves to us, but judge of what we...