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Page 8
... critic of music would make , although a less serious if he gave attention to the emotional sentiments awakened in the hearer by the performance , in pri- ority to the science of the harmonical and melodious sounds of which that ...
... critic of music would make , although a less serious if he gave attention to the emotional sentiments awakened in the hearer by the performance , in pri- ority to the science of the harmonical and melodious sounds of which that ...
Page 17
... critic who should make this ad- mission must be prepared to find himself in opposition to all the accepted canons of the last seventy years . He must be ready to be charged with paradox , the love of enunciating what is manifestly ...
... critic who should make this ad- mission must be prepared to find himself in opposition to all the accepted canons of the last seventy years . He must be ready to be charged with paradox , the love of enunciating what is manifestly ...
Page 18
... critic , that this great leader of the precise style of poetry , this harbinger of Boileau and Racine , wrote less in alexandrines than any other French poet on record . Except one solitary fragment , * of no importance , I do not think ...
... critic , that this great leader of the precise style of poetry , this harbinger of Boileau and Racine , wrote less in alexandrines than any other French poet on record . Except one solitary fragment , * of no importance , I do not think ...
Page 26
... critic who holds it healthy to be calm and discreet in poetic writing may still find himself brought face to face ... critics have found much to praise , I am bound to say that the existence of Cyril Tour- neur appears to me to be one ...
... critic who holds it healthy to be calm and discreet in poetic writing may still find himself brought face to face ... critics have found much to praise , I am bound to say that the existence of Cyril Tour- neur appears to me to be one ...
Page 28
... critics of the Restoration saw this very clearly , and it made them blind to the beauties of their predecessors . Knightly Chetwood ( 1682 ) remarks that what English poetry has need of is 66 one who license can restrain , Make civil ...
... critics of the Restoration saw this very clearly , and it made them blind to the beauties of their predecessors . Knightly Chetwood ( 1682 ) remarks that what English poetry has need of is 66 one who license can restrain , Make civil ...
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Anthony à Wood Ausonius Beaconsfield beautiful Ben Jonson called Cambridge Chamberlayne Charles charming Clarendon classical school Cooper's Hill copy of verses couplet Cowley critic Cromwell curious Cyril Tourneur Davenant Davenant's death Denham distich Donne doubt Dryden Earl edition Edmund Waller Elizabethans England English poetry epic Exile famous France French friends give Gondibert grace hand heroic heroic couplet House interesting King Lady Lady Dorothy Sidney language less lines literary literature lived Lord Brooke lyrical Malherbe Marinist Marvell Milton mind Muse never numbers Nunappleton Oliver Cromwell parliament person piece plays poem poet poet's poetical political Pope possessed praise printed prosody published Queen readers reign Restoration rhymes romantic romantic poetry Roundheads Sacharissa scholar seems sense seventeenth century Shakespeare Sidney Spenser stanza story style taste thing thou tion tragedy versification writing written wrote young
Popular passages
Page 185 - To move, but doth, if th' other do. And though it in the centre sit, Yet when the other far doth roam, It leans, and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must Like th...
Page 6 - ALL human things are subject to decay, And, when Fate summons, monarchs must obey. This Flecknoe found, who, like Augustus, young Was call'd to empire and had govern'd long, In prose and verse was owned without dispute Through all the realms of Nonsense absolute.
Page 91 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Page 136 - Thalaba and to the Curse of Kehama. As in the case of those shapeless Indian epics, so in that of Davenant's long-winded Lombardian heroic, there were not a few critics and lovers of poetry who refused to bow the knee to a poetical Baal so foreign to the imaginative tradition of the race. But to the public at large the one class of epic and the other were equally attractive for the moment. The strenuous didactic tone of morality, the emphatic wish to improve the condition and raise the dignity of...
Page 149 - Elisha-like (but with a wish much less, More fit thy greatness, and my littleness) Lo here I beg (I whom thou once didst prove So humble to esteem, so good to love) Not that thy spirit might on me doubled be, I ask but half thy mighty spirit for me ; And when my muse soars with so strong a wing, 'Twill learn of things divine, and first of thee to sing.
Page 4 - Could all this be forgotten ? Yes, a schism Nurtured by foppery and barbarism Made great Apollo blush for this his land. Men were thought wise who could not understand His glories; with a puling infant's force They sway'd about upon a rocking-horse, And thought it Pegasus.
Page 186 - But when the vigilant patrol Of stars walks round about the pole, Their leaves, that to the stalks are curled, Seem to their staves the ensigns furled.
Page 60 - Go, lovely Rose ! Tell her, that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be. Tell her that's young And shuns to have her graces spied, That hadst thou sprung In deserts, where no men abide, Thou must have uncommended died.
Page 61 - ON A GIRDLE THAT which her slender waist confined, Shall now my joyful temples bind; No monarch but would give his crown His arms might do what this has done. It was my Heaven's extremest sphere, The pale which held that lovely deer; My joy, my grief, my hope, my love, Did all within this circle move. A narrow compass! and yet there Dwelt all that's good, and all that's fair; Give me but what this ribband bound, Take all the rest the sun goes round.
Page 4 - The morning precious: beauty was awake! Why were ye not awake? But ye were dead To things ye knew not of, — were closely wed To musty laws lined out with wretched rule And compass vile: so that ye taught a school Of dolts to smoothe, inlay, and clip, and fit, Till, like the certain wands of Jacob's wit, Their verses tallied.