Performing Global NetworksKaren Fricker, Ronit Lenṭin Networks are everywhere: from migrant organisations to information technology, from business to social movements, from international governance to global non-governmental organisations, from theatrical collectives to fan clubs, from memory sites to narrative circles. The portmanteau terms networks, and more specifically, global networks, seem to have become the mots du jour in contemporary cultural and social studies. But what cultural, social and political work do global networks accomplish: what is the work of these networks? This path-breaking collection follows Graeme Thompsonâ (TM)s rallying cry for a clearer analytical approach to the ways in which networks are â ~enacted, assembled, conducted, and performed.â (TM) In its thirteen chapters, scholars from a variety of fields â " sociology, theatre and performance studies, peace studies, history, and musicology â " as well as social and cultural activists, explore the multiple meanings of global networks and performance. |
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Page 150
... status at the 2006 Contest via official accreditation obtained from the Irish national broadcaster ( each delegation is in charge of its own press , fan , and delegate accreditations , thus further underlining the importance of the ...
... status at the 2006 Contest via official accreditation obtained from the Irish national broadcaster ( each delegation is in charge of its own press , fan , and delegate accreditations , thus further underlining the importance of the ...
Page 168
... status has remained a subject of incessant dispute in Ireland is , arguably , a sign of the strength of Irish theatre : people feel that it is important enough to become angry about its direction . I am arguing , therefore , that the ...
... status has remained a subject of incessant dispute in Ireland is , arguably , a sign of the strength of Irish theatre : people feel that it is important enough to become angry about its direction . I am arguing , therefore , that the ...
Page 171
... status of Irish women , and the revelation of political corruption and clerical child abuse . The important point here is that Ireland in 2002 was thoroughly different from the Ireland of 1991 , and that no single narrative or theory ...
... status of Irish women , and the revelation of political corruption and clerical child abuse . The important point here is that Ireland in 2002 was thoroughly different from the Ireland of 1991 , and that no single narrative or theory ...
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Abbey Theatre actors African AkiDwA analysis Anglo-Irish Agreement anti-trafficking Arambe argues artistic asylum seekers audience Bat Shalom become Britain British Cambridge campaign Centre chapter colonies concept conflict contemporary Contest cosmopolitan Culture Ireland debate diasporic economic emergence emphasis empire ethnic Europe event example fan network feminist Fuchs Garret FitzGerald gender global networks globalisation Holton human rights identity immigrant individual intercultural interview Irish culture Irish fan Irish theatre Israel Israeli issue Italian Lentin and McVeigh live London Machsom Watch memory microhistory migrant women migration movement Nakba narrative national theatre networking activities Northern Ireland obscenity OGAE organisations Oxford Pappe participate performance play Plough political Priestman-Bright circle production prostitution racism regulation relation role Routledge social networks society songs stage Studies theory trafficking transnational transnationalism Trinity College Dublin University Press women migrants women's networks women's rights world music Zochrot