Performing Global NetworksKaren Fricker, Ronit Lenṭin Networks are everywhere: from migrant organisations to information technology, from business to social movements, from international governance to global non-governmental organisations, from theatrical collectives to fan clubs, from memory sites to narrative circles. The portmanteau terms networks, and more specifically, global networks, seem to have become the mots du jour in contemporary cultural and social studies. But what cultural, social and political work do global networks accomplish: what is the work of these networks? This path-breaking collection follows Graeme Thompsonâ (TM)s rallying cry for a clearer analytical approach to the ways in which networks are â ~enacted, assembled, conducted, and performed.â (TM) In its thirteen chapters, scholars from a variety of fields â " sociology, theatre and performance studies, peace studies, history, and musicology â " as well as social and cultural activists, explore the multiple meanings of global networks and performance. |
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Page 115
... discussion of migration with that of trafficking for good reasons . Yet , what the discussion above has suggested is that the two are inextricably intertwined . They have become so through government policy responses to trafficking ...
... discussion of migration with that of trafficking for good reasons . Yet , what the discussion above has suggested is that the two are inextricably intertwined . They have become so through government policy responses to trafficking ...
Page 181
... discussion of the branding of Irish identity in theatre , see Lonergan 2004 . For discussion of the Abbey Theatre and tourism , see Bennett 2004 . CHAPTER ELEVEN LOCATING THE PEACE PROCESS IN IRELAND IN AN Performing Global Networks 181.
... discussion of the branding of Irish identity in theatre , see Lonergan 2004 . For discussion of the Abbey Theatre and tourism , see Bennett 2004 . CHAPTER ELEVEN LOCATING THE PEACE PROCESS IN IRELAND IN AN Performing Global Networks 181.
Page 192
... discussion group ' formed in 1952 by young graduates of the National University of Dublin who met in their respective homes . McQuaid apparently allayed the Papal Nuncio's anxieties by pointing out that ' membership was granted on ...
... discussion group ' formed in 1952 by young graduates of the National University of Dublin who met in their respective homes . McQuaid apparently allayed the Papal Nuncio's anxieties by pointing out that ' membership was granted on ...
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Abbey Theatre actors African AkiDwA analysis Anglo-Irish Agreement anti-trafficking Arambe argues artistic asylum seekers audience Bat Shalom become Britain British Cambridge campaign Centre chapter colonies concept conflict contemporary Contest cosmopolitan Culture Ireland debate diasporic economic emergence emphasis empire ethnic Europe event example fan network feminist Fuchs Garret FitzGerald gender global networks globalisation Holton human rights identity immigrant individual intercultural interview Irish culture Irish fan Irish theatre Israel Israeli issue Italian Lentin and McVeigh live London Machsom Watch memory microhistory migrant women migration movement Nakba narrative national theatre networking activities Northern Ireland obscenity OGAE organisations Oxford Pappe participate performance play Plough political Priestman-Bright circle production prostitution racism regulation relation role Routledge social networks society songs stage Studies theory trafficking transnational transnationalism Trinity College Dublin University Press women migrants women's networks women's rights world music Zochrot