Performing Global NetworksKaren Fricker, Ronit Lenṭin Networks are everywhere: from migrant organisations to information technology, from business to social movements, from international governance to global non-governmental organisations, from theatrical collectives to fan clubs, from memory sites to narrative circles. The portmanteau terms networks, and more specifically, global networks, seem to have become the mots du jour in contemporary cultural and social studies. But what cultural, social and political work do global networks accomplish: what is the work of these networks? This path-breaking collection follows Graeme Thompsonâ (TM)s rallying cry for a clearer analytical approach to the ways in which networks are â ~enacted, assembled, conducted, and performed.â (TM) In its thirteen chapters, scholars from a variety of fields â " sociology, theatre and performance studies, peace studies, history, and musicology â " as well as social and cultural activists, explore the multiple meanings of global networks and performance. |
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Page 3
... contemporary network society . It is the ' global ' modifier that marks the contemporary network studies in which we participate as something new ; these currents of anthropological , sociological , and cultural studies are now being ...
... contemporary network society . It is the ' global ' modifier that marks the contemporary network studies in which we participate as something new ; these currents of anthropological , sociological , and cultural studies are now being ...
Page 5
... contemporary Irish theatre has put the image of the ' fear gorm ' ( black man ) . Both Aviram and Adigun's chapters give a potent impression of cultures and social movements in extreme flux , and of their activism as a means of locating ...
... contemporary Irish theatre has put the image of the ' fear gorm ' ( black man ) . Both Aviram and Adigun's chapters give a potent impression of cultures and social movements in extreme flux , and of their activism as a means of locating ...
Page 25
... contemporary present . The slow pace of the creative process that is theatre cannot keep pace with the speed of change of contemporary political events . Agit - prop , happenings and performative interventions found their niche market ...
... contemporary present . The slow pace of the creative process that is theatre cannot keep pace with the speed of change of contemporary political events . Agit - prop , happenings and performative interventions found their niche market ...
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