Performing Global NetworksKaren Fricker, Ronit Lenṭin Networks are everywhere: from migrant organisations to information technology, from business to social movements, from international governance to global non-governmental organisations, from theatrical collectives to fan clubs, from memory sites to narrative circles. The portmanteau terms networks, and more specifically, global networks, seem to have become the mots du jour in contemporary cultural and social studies. But what cultural, social and political work do global networks accomplish: what is the work of these networks? This path-breaking collection follows Graeme Thompsonâ (TM)s rallying cry for a clearer analytical approach to the ways in which networks are â ~enacted, assembled, conducted, and performed.â (TM) In its thirteen chapters, scholars from a variety of fields â " sociology, theatre and performance studies, peace studies, history, and musicology â " as well as social and cultural activists, explore the multiple meanings of global networks and performance. |
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Page 50
... Dublin : Metro Éireann Publications . Lonergan , Patrick . 2003. Recent Irish theatre : The impact of globalization , in Fionnuala Dillane and Ronan Kelly ( eds . ) New Voices in Irish Criticism , 4 . Dublin : Four Courts . Merriman ...
... Dublin : Metro Éireann Publications . Lonergan , Patrick . 2003. Recent Irish theatre : The impact of globalization , in Fionnuala Dillane and Ronan Kelly ( eds . ) New Voices in Irish Criticism , 4 . Dublin : Four Courts . Merriman ...
Page 88
... Dublin that he was completely unaware of the up - coming concert by a leading ' world ' musician , Koffi Olomidé . This was despite the fact that the concert promoter clearly knew and admired Olomidé's music , and despite the fact that ...
... Dublin that he was completely unaware of the up - coming concert by a leading ' world ' musician , Koffi Olomidé . This was despite the fact that the concert promoter clearly knew and admired Olomidé's music , and despite the fact that ...
Page 94
... Dublin , and of Africans in Ireland more generally , we analyse this event as a performative ' cosmopolitanism from below ' . - Returning to the lack of awareness of the world music community about this event - one which they might have ...
... Dublin , and of Africans in Ireland more generally , we analyse this event as a performative ' cosmopolitanism from below ' . - Returning to the lack of awareness of the world music community about this event - one which they might have ...
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