Performing Global NetworksKaren Fricker, Ronit Lenṭin Networks are everywhere: from migrant organisations to information technology, from business to social movements, from international governance to global non-governmental organisations, from theatrical collectives to fan clubs, from memory sites to narrative circles. The portmanteau terms networks, and more specifically, global networks, seem to have become the mots du jour in contemporary cultural and social studies. But what cultural, social and political work do global networks accomplish: what is the work of these networks? This path-breaking collection follows Graeme Thompsonâ (TM)s rallying cry for a clearer analytical approach to the ways in which networks are â ~enacted, assembled, conducted, and performed.â (TM) In its thirteen chapters, scholars from a variety of fields â " sociology, theatre and performance studies, peace studies, history, and musicology â " as well as social and cultural activists, explore the multiple meanings of global networks and performance. |
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Page 66
... Theatre 13 , 16 , 219-225 . Notes 1 In the Irish language , ' fear gorm ' means a black man , although literally ... ( Abbey Theatre / Peacock 2001 ) ; The Buddhist of Castleknock ( Fishamble Theatre Company 2002 ) ; Mixing it on the ...
... Theatre 13 , 16 , 219-225 . Notes 1 In the Irish language , ' fear gorm ' means a black man , although literally ... ( Abbey Theatre / Peacock 2001 ) ; The Buddhist of Castleknock ( Fishamble Theatre Company 2002 ) ; Mixing it on the ...
Page 177
Karen Fricker, Ronit Lenṭin. the Abbey to communicate and raise troubling issues . Yet in 2002 , we see an Abbey Theatre that is simply one of a number of government agencies engaged in activities of social , civic , and economic utility ...
Karen Fricker, Ronit Lenṭin. the Abbey to communicate and raise troubling issues . Yet in 2002 , we see an Abbey Theatre that is simply one of a number of government agencies engaged in activities of social , civic , and economic utility ...
Page 180
... Abbey Theatre , in events that became known as ' the Playboy Riots ' . Abbey Theatre co- director Yeats addressed the audience from the stage after the second performance , asserting that the Irish people had ' disgraced themselves ...
... Abbey Theatre , in events that became known as ' the Playboy Riots ' . Abbey Theatre co- director Yeats addressed the audience from the stage after the second performance , asserting that the Irish people had ' disgraced themselves ...
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Abbey Theatre actors African AkiDwA analysis Anglo-Irish Agreement anti-trafficking Arambe argues artistic asylum seekers audience Bat Shalom become Britain British Cambridge campaign Centre chapter colonies concept conflict contemporary Contest cosmopolitan Culture Ireland debate diasporic economic emergence emphasis empire ethnic Europe event example fan network feminist Fuchs Garret FitzGerald gender global networks globalisation Holton human rights identity immigrant individual intercultural interview Irish culture Irish fan Irish theatre Israel Israeli issue Italian Lentin and McVeigh live London Machsom Watch memory microhistory migrant women migration movement Nakba narrative national theatre networking activities Northern Ireland obscenity OGAE organisations Oxford Pappe participate performance play Plough political Priestman-Bright circle production prostitution racism regulation relation role Routledge social networks society songs stage Studies theory trafficking transnational transnationalism Trinity College Dublin University Press women migrants women's networks women's rights world music Zochrot