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" tis pleasant to impart, These turns and movements of the human Heart; The stronger features of the Soul to paint, And make distinct the latent and the faint; Man as he is, to place in all men's view, Yet none with rancour, none with scorn pursue: Nor... "
The British Critic: A New Review - Page 235
1811
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The Edinburgh Review: Or Critical Journal, Volume 198

1903 - 606 pages
...Tia good to know, 'tis pleasant to impart, These turns and movements of the human heart ; MAN AS EE is, to place in all men's view, Yet none with rancour, none with acorn pursue ; Nor be it ever of my Portraits told — " Here the strong lines of malice we behold."...
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The Borough: A Poem, in Twenty-four Letters

George Crabbe - English poetry - 1810 - 612 pages
...turns and movements of Ihe human Heart ; The stronger features of the Soul to paint, And make distinct the latent and the faint ; Man as he is, to place...in all men's view, Yet none with rancour, none with scorn pursue : Nor be it ever of my Portraits told — " Here the strong lines of Malice we behold."—...
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The Borough: A Poem, in Twenty-four Letters

George Crabbe - City and town life - 1810 - 402 pages
...o£ the human Heart; , . The stronger features of the Soul to paint, And make distinct the latent ami the faint ; . . • > Man as he is, to place in all men's view, . Yet none with rancour, none with scorn pursue : Nor be it ever of my Portraits told— " Here the strong lines of Malice we behold."—...
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The British Critic, and Quarterly Theological Review, Volume 37

1811 - 694 pages
...good to know, 'tis pleafant to impart, Thefe turns and movements of the human heart ; The flronger features of the foul to paint, And make diftinft the...Nor be it ever of my portraits told — ' Here the ilrong lines of malice we behold.' " P. 34$. He adds a wifli, which we think defcriptive of the aclual...
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The works of George Crabbe, Volume 2

George Crabbe - 1816 - 340 pages
...turns and movements of the human Heart: The stronger features of the Soul to paint, And make distinct the latent and the faint; Man as he is, to place in all men's view, Vet none with rancour, none with scorn pursue: Nor be it ever of my Portraits told— " Here the strong...
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The borough

George Crabbe - 1820 - 346 pages
...turns and movements of the human Heart: The stronger features of the Soul to paint, And make distinct the latent and the faint ; Man as he is, to place...in all men's view, Yet none with rancour, none with scorn pursue : Nor be it ever of my Portraits told — " Here the strong lines of Malice we behold."...
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The Works of the Rev. George Crabbe: In Eight Volumes, Volume 3

George Crabbe - 1823 - 224 pages
...turns and movements of the human heart : The stronger features of the soul to paint, And make distinct the latent and the faint ; Man as he is, to place...in all men's view, Yet none with rancour, none with scorn pursue : Nor be it ever of my portraits told — " Here the strong lines of malice we behold."...
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The Works of the Rev. George Crabbe: In Five Volumes. Vol. I. [-V.].

George Crabbe - English poetry - 1823 - 452 pages
...turns and movements of the human heart : The stronger features of the soul to paint, And make distinct the latent and the faint ; Man as he is, to place...in all men's view, Yet none with rancour; none with scorn pursue : Nor be it ever of my portraits told — " Here the strong lines of malice we behold."...
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The Poetical Works of George Crabbe: With Life

George Crabbe - English poetry - 1899 - 540 pages
...turns and movements of the human heart: The stronger features of the soul to paint, And make distinct the latent and the faint ; MAN AS HE is, to place...in all men's view, Yet none with rancour, none with scorn nur«ue : Nor be it ever of my Portraits told — " Here the strong lines of malice we behold."...
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Poetical Works, Volume 4

George Crabbe - 1839 - 342 pages
...turns and movements of the human heart : The stronger features of the soul to paint, And make distinct the latent and the faint ; MAN AS HE is, to place...in all men's view, Yet none with rancour, none with scorn pursue : Nor be it ever of my Portraits told — " Here the strong lines of malice we behold."...
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