Signs of Masculinity: Men in Literature 1700 to the Present

Front Cover
Antony Rowland, Emma Liggins, Eriks Uskalis
Rodopi, 1998 - Law - 274 pages
Masculinity is becoming an increasingly popular area of study in areas as diverse as sociology, politics and cultural studies, yet significant research is lacking into connections between masculinity and literature. Signs of Masculinity aims at beginning to fill the gap. Starting with an introduction to, and intervention within, numerous debates concerning the cultural construction of various masculinities, the volume then continues with an investigation of representations of masculinity in literature from 1700 to the present. Close readings of texts are intended to demonstrate that masculinity is not a theoretical abstract, but a definitive textual and cultural phenomenon that needs to be recognised in the study of literature. It is hoped that the wide-ranging essays, which raise numerous issues, and are written from a variety of methodological approaches, will appeal to undergraduate, postgraduates and lecturers interest in the crucial but under-researched area of masculinity.

From inside the book

Contents

Introduction
3
Men in Literature 17001900
31
Strange Longing and Horror in Robinson Crusoe
37
Representations
64
Sarah Ellis Anne Brontë
89
Literary Evolution and Masculinity
117
Edward Carpenter and findesiècle
139
The Abjection of Pornography
162
Sex Drugs and the Economics of Masculinity in William
178
Class and Masculinity in Tony Harrisons Me Tarzan
199
The Fiction of Ian McEwan
218
Performing Masculinities
246
Notes on Contributors
270
Copyright

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Page 56 - ... not very easy to describe. His face was round and plump; his nose small, not flat like the Negroes', a very good mouth, thin lips, and his fine teeth well set, and white as ivory.
Page 55 - I could think of; and he came nearer and nearer, kneeling down every ten or twelve steps, in token of acknowledgment for saving his life. I smiled at him, and looked pleasantly, and beckoned to him to come still nearer. At length he came close to me, and then he kneeled down again, kissed the ground, and laid his head upon the ground, and taking me by the foot, set my foot upon his head. This, it seems, was in token of swearing to be my slave for ever.
Page 40 - It happened one day, about noon, going towards my boat, I was exceedingly surprised with the print of a man's naked foot on the shore, which was very plain to be seen on the sand.
Page 51 - I cannot explain, by any possible energy of words, what a strange longing or hankering of desires I felt in my soul upon this sight; breaking out sometimes thus; O that there had been but one...
Page 56 - He was a comely, handsome fellow, perfectly well made, with straight strong limbs, not too large, tall, and well-shaped, and, as I reckon, about twenty-six years of age. He had a very good countenance, not a fierce and surly aspect, but seemed to have something very manly in his face; and yet he had all the sweetness and softness of an European in his countenance too, especially when he smiled.
Page 56 - European in his countenance too, especially when he smiled : his hair was long and black, not curled like wool ; his forehead very high and large, and a great vivacity and sparkling sharpness in his eyes.
Page 80 - ... on very dark, he began to think of all the men he had known who had died upon the scaffold; some of them through his means. They rose up, in such quick succession, that he could hardly count them. He had seen some of them die and had joked too, because they died with prayers upon their lips.
Page 153 - A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing. And when Humanity lands there, it looks out, and, seeing a better country, sets sail. Progress is the realisation of Utopias.

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