Principles of Elocution: Containing Numerous Rules, Observations, and Exercises, on Pronunciation, Pauses, Inflections, Accent, and Emphasis; Also Copious Extracts in Prose and Poetry, Calculated to Assist the Teacher, and to Improve the Pupil in Reading and Recitation |
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Page 11
... called the Jew Bill , 6. Sir John St Aubin's Speech for Repealing the Septennial Act , - 7. Sir Robert Walpole's Reply , 8. Mr Pultney's Speech on the Motion for Reducing the Page 229 230 231 232 234 " 236 238 240 243 246 Army , 9 ...
... called the Jew Bill , 6. Sir John St Aubin's Speech for Repealing the Septennial Act , - 7. Sir Robert Walpole's Reply , 8. Mr Pultney's Speech on the Motion for Reducing the Page 229 230 231 232 234 " 236 238 240 243 246 Army , 9 ...
Page 34
... called the hyphen or dash , marked with a short line , thus- Some writers suppose that the Semicolon Colon -is a pause double the time of the Period Comma , Semicolon , Colon . Semicolon Colon Period Others are of opinion that the ...
... called the hyphen or dash , marked with a short line , thus- Some writers suppose that the Semicolon Colon -is a pause double the time of the Period Comma , Semicolon , Colon . Semicolon Colon Period Others are of opinion that the ...
Page 36
... called the rising and falling inflection . We must carefully guard against mistaking the low tone at the be- ginning of the rising inflection for the falling inflection , and the high tone at the beginning of the falling inflection for ...
... called the rising and falling inflection . We must carefully guard against mistaking the low tone at the be- ginning of the rising inflection for the falling inflection , and the high tone at the beginning of the falling inflection for ...
Page 41
... sense by itself , followed by some other member or members , which do not restrain or qualify its signification . D 2. By faith Abraham , when he was called to PRINCIPLES OF ELOCUTION . 41 Inverted Period, Loose Sentence,
... sense by itself , followed by some other member or members , which do not restrain or qualify its signification . D 2. By faith Abraham , when he was called to PRINCIPLES OF ELOCUTION . 41 Inverted Period, Loose Sentence,
Page 42
... called to go out into a place which he should after receive for an inheritance , obeyed ' ; and he went out , not knowing whither he went . 3. Blessed is the man that endureth temptation ' ; for when he is tried he shall receive the ...
... called to go out into a place which he should after receive for an inheritance , obeyed ' ; and he went out , not knowing whither he went . 3. Blessed is the man that endureth temptation ' ; for when he is tried he shall receive the ...
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Common terms and phrases
accent admiration Æneid agreeable Andromache appear arms army Balance of Happiness battle beautiful behold brave Cæsar Cæsura called Cicero circumflex clouds Coriolanus dark death delight divine dread earth emphasis emphatic word enemy epic poetry eternal EXAMPLES eyes falling inflection fame father fear fortune friends give glory hand happiness hath heart heaven Homer honour hope hour human Iliad imagination Julius Cæsar kind king labours liberty live look Lord Lyre Macedon mankind mind misery mountains nature never night noble o'er objects passion pause pleasure poet poetry praise privy counsellor pronounced reason rising inflection rock Rome RULE scenes Scythians sense sentence soldier soul sound speak spirit sublime sword syllable Tatler thee things thou thought tion tone Trojan war truth verb verse Virgil virtue virtuous voice wind wise youth
Popular passages
Page 406 - Romans, countrymen, and lovers! hear me for my cause ; and be silent that you may hear : believe me for mine honour; and have respect to mine honour, that you may believe: censure me in your wisdom; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Page 413 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Page 393 - My story being done, She gave me for my pains a world of sighs : She swore, — in faith, 'twas strange, 'twas passing strange ; 'Twas pitiful, 'twas wondrous pitiful: She wish'd she had not heard it ; yet she wish'd That heaven had made her such a man...
Page 395 - Rome, thou hast lost the breed of noble bloods! When went there by an age, since the great flood, But it was fam'd with more than with one man?
Page 308 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labors, and the words move slow: Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 423 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Page 385 - Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility: But when the blast of war blows in our ears, Then imitate the action of the tiger; Stiffen the sinews, summon up the blood.
Page 412 - The stars shall fade away, the sun himself Grow dim with age, and Nature sink in years, But thou shalt flourish in immortal youth, Unhurt amidst the war of elements, The wreck of matter, and the crush of worlds.
Page 407 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
Page 129 - The business of a poet," said Imlac, "is to examine, not the individual, but the species ; to remark general properties and large appearances ; he does not number the streaks of the tulip, or describe the different shades in the verdure of the forest.