Lectures on the English Language |
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Page 24
... language par excellence , and so not allied to the other Gothic words above cited , unless , indeed , we suppose Latin itself to be derived from a root meaning an articulate sound , or language . In Spanish , especially in the Spanish ...
... language par excellence , and so not allied to the other Gothic words above cited , unless , indeed , we suppose Latin itself to be derived from a root meaning an articulate sound , or language . In Spanish , especially in the Spanish ...
Page 51
... Language , 2d Edition , p . 214 ) , " It [ drake ] is derived from a word with which it has but one letter in common ; viz . , the Latin anas , duck . " The common name of the duck in the Gothic languages is doubtless allied to anas ...
... Language , 2d Edition , p . 214 ) , " It [ drake ] is derived from a word with which it has but one letter in common ; viz . , the Latin anas , duck . " The common name of the duck in the Gothic languages is doubtless allied to anas ...
Page 52
... languages . With respect to words which have traditionally descended from the old Gothic storehouse , and which do not occur in the existing remains of Anglo - Saxon literature , or which have been borrowed from remoter sources , and ...
... languages . With respect to words which have traditionally descended from the old Gothic storehouse , and which do not occur in the existing remains of Anglo - Saxon literature , or which have been borrowed from remoter sources , and ...
Page 53
George Perkins Marsh. affinities to words belonging to the vocabularies of languages not of the Gothic or Romance stock , I know no English dictionary except Skeat's new etymologicon which is worthy of confidence . Take for example our ...
George Perkins Marsh. affinities to words belonging to the vocabularies of languages not of the Gothic or Romance stock , I know no English dictionary except Skeat's new etymologicon which is worthy of confidence . Take for example our ...
Page 54
... languages , suggests the possibility that they all belong alike to some Gothic radical . Ihre thinks the Scandinavian may be from the root of the verb to seek , in analogy with a figurative sense of the Latin quærere , and he cites this ...
... languages , suggests the possibility that they all belong alike to some Gothic radical . Ihre thinks the Scandinavian may be from the root of the verb to seek , in analogy with a figurative sense of the Latin quærere , and he cites this ...
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accent adjective alliteration ancient Anglo-Saxon articulation authors belonging Bible called century character Chaucer classical common compound consonant corresponding derived dialect diction dictionary distinct early edition elements employed England English language English words etymology example expression fact familiar foreign French gender German Gothic Gothic languages grammatical Greek guage Hence Icelandic important inflections influence instance intellectual Italian language Latin Layamon Lecture less letters linguistic literature meaning modern moral nation native natural nomenclature noun objects obsolete occur original Ormulum orthoepy orthography participle particles period persons philological phrase Piers Ploughman plural poetic poetry possessive present printed pronounced pronunciation prose prosody radical reference remarkable respect rhymes Robert of Gloucester Romance roots Saxon sense Shakespeare signification sound speak speech strong inflection syllables syntactical syntax thing thought tion tongue translation verb verbal verse vocables vocabulary vowel weak inflection writers Wycliffe Wycliffite
Popular passages
Page 141 - If I forget thee, 0 Jerusalem, let my right hand forget her cunning. If I do not remember thee, let my tongue cleave to the roof of my mouth ; If I prefer not Jerusalem above my chief joy.
Page 60 - At once on the eastern cliff of Paradise He lights, and to his proper shape returns A seraph winged : six wings he wore to shade His lineaments divine ; the pair that clad Each shoulder broad, came mantling o'er his breast With regal ornament ; the middle pair Girt like a starry zone his waist, and round Skirted his loins and thighs with downy gold, And colours dipt in heaven ; the third his feet Shadowed from either heel with feathered mail, Sky-tinctured grain.
Page 142 - But he that heareth, and doeth not, is like a man that without a foundation built an house upon the earth; against which the stream did beat vehemently, and immediately it fell; and the ruin of that house was great.
Page 61 - In courts, at feasts, and high solemnities, Where most may wonder at the workmanship. It is for homely features to keep home ; They had their name thence: coarse complexions And cheeks of sorry grain will serve to ply The sampler, and to tease the huswife's wool.
Page 535 - THE ordinary Bible read in the church, commonly called the Bishops Bible, to be followed, and as little altered, as the truth of the original will permit.
Page 56 - Come, pensive Nun, devout and pure, Sober, steadfast, and demure, All in a robe of darkest grain, Flowing with majestic train, And sable stole of cypress lawn Over thy decent shoulders drawn. Come; but keep thy wonted state, With even step, and musing gait, And looks commercing with the skies, Thy rapt soul sitting in thine eyes...
Page 434 - By rejecting the posts, we light the savage fires, we bind the victims. This day we undertake to render account to the widows and orphans whom our decision will make, to the wretches that will be roasted at the stake, to our country, and I do not deem it too serious to say, to conscience and to God.
Page 537 - Truly, good Christian Reader, we never thought from the beginning that we should need to make a new translation, nor yet to make of a bad one a good one...
Page 537 - ... but to make a good one better, or out of many good ones one principal good one, not justly to be excepted against ; that hath been our endeavour, that our mark.
Page 113 - It was the tomb of a crusader ; of one of those military enthusiasts, who so strangely mingled religion and romance, and whose exploits form the connecting link between fact and fiction ; between the history and the fairy tale.