Novelist of Three Worlds: Ford Madox FordAnalysis of Ford's development as a novelist by a description, discussion, and dissection of the major novels. |
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... style refuses to fade . Whatever its secret , the vitality persists . Perhaps , subconsciously , the first notion of writing a study of Ford occurred to me at that moment of random encounter with a single page not yet tied to context ...
... style refuses to fade . Whatever its secret , the vitality persists . Perhaps , subconsciously , the first notion of writing a study of Ford occurred to me at that moment of random encounter with a single page not yet tied to context ...
Page 59
... style in a manner entirely his own in his work from The Good Soldier on , despite oc- casional charges of imitation probably resulting from his ad- mitted sensitiveness to the rhythms of other writers and to the stylistic facility which ...
... style in a manner entirely his own in his work from The Good Soldier on , despite oc- casional charges of imitation probably resulting from his ad- mitted sensitiveness to the rhythms of other writers and to the stylistic facility which ...
Page 184
... style that he had not achieved in his earlier novels ; and Dowell's occasional comments on the matter of style in itself testify to Ford's satis- faction with his results . One possible reason for the use of an American narrator was to ...
... style that he had not achieved in his earlier novels ; and Dowell's occasional comments on the matter of style in itself testify to Ford's satis- faction with his results . One possible reason for the use of an American narrator was to ...
Contents
Introduction | 1 |
Forden route | 9 |
The Role of the Novelist | 26 |
Copyright | |
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Common terms and phrases
aesthetic Affair American Ancient Lights Antibes Apollo appears artist Ashburnham atmosphere attitude Bright Eyes century character contemporary cultural death doppelgänger Dowell Dowell's earlier novels English Girl episodes experience eyes fiction Fifth Queen Fleight Ford Madox Ford Ford's George Moffat Half Moon Heart of Darkness Henry for Hugh Henry James historian impression Impressionism Impressionist Inheritors irony Jamesian Joseph Conrad Katharine Ladies Whose Bright Last Post late Victorian later Leonora Less Than Gods literary London luxury Madame Bovary Madox Maisie Maisie Knew March of Literature Marsden Martin medieval ment mental method mind modern Monckton Nordic Notterdam novelist Parade's End Parades passion Penkethman perhaps postwar pre-Raphaelite Provence Rash Act reader Return to Yesterday Romance Rossetti Salambô satire scene Secret Agent seems sense sexual social society Soldier spirit story style suicide Sylvia symbolic technique theme Tietjens tetralogy tion tradition trilogy Victorian Violet Hunt writing