Novelist of Three Worlds: Ford Madox FordAnalysis of Ford's development as a novelist by a description, discussion, and dissection of the major novels. |
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Page 91
... past and to put these at the beginning of a study of his creative production . In their basic form the purely historical novels differ very little from those on contemporary themes ; except for the accident of setting , they are ...
... past and to put these at the beginning of a study of his creative production . In their basic form the purely historical novels differ very little from those on contemporary themes ; except for the accident of setting , they are ...
Page 95
... past ; for in contrasting himself with the popular romancer , Maurice Hewlett , whose Queen's Quair of 1904 entered into rivalry with Ford's Fifth Queen , Ford admitted freely having imparted modern psychologies to his characters ...
... past ; for in contrasting himself with the popular romancer , Maurice Hewlett , whose Queen's Quair of 1904 entered into rivalry with Ford's Fifth Queen , Ford admitted freely having imparted modern psychologies to his characters ...
Page 298
... past , he could not in his mythical program relinquish an older past as source of the cultural values in which he believed . It follows , then , that in adopting and perfecting the form of the Affair , Ford was not simply indulging a ...
... past , he could not in his mythical program relinquish an older past as source of the cultural values in which he believed . It follows , then , that in adopting and perfecting the form of the Affair , Ford was not simply indulging a ...
Contents
Introduction | 1 |
Forden route | 9 |
The Role of the Novelist | 26 |
Copyright | |
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aesthetic Affair American Ancient Lights Antibes Apollo appears artist Ashburnham atmosphere attitude Bright Eyes century character contemporary cultural death doppelgänger Dowell Dowell's earlier novels English Girl episodes experience eyes fiction Fifth Queen Fleight Ford Madox Ford Ford's George Moffat Half Moon Heart of Darkness Henry for Hugh Henry James historian impression Impressionism Impressionist Inheritors irony Jamesian Joseph Conrad Katharine Ladies Whose Bright Last Post late Victorian later Leonora Less Than Gods literary London luxury Madame Bovary Madox Maisie Maisie Knew March of Literature Marsden Martin medieval ment mental method mind modern Monckton Nordic Notterdam novelist Parade's End Parades passion Penkethman perhaps postwar pre-Raphaelite Provence Rash Act reader Return to Yesterday Romance Rossetti Salambô satire scene Secret Agent seems sense sexual social society Soldier spirit story style suicide Sylvia symbolic technique theme Tietjens tetralogy tion tradition trilogy Victorian Violet Hunt writing