Novelist of Three Worlds: Ford Madox FordAnalysis of Ford's development as a novelist by a description, discussion, and dissection of the major novels. |
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Page 23
... interest . In the later years of the 1920's Ford had concluded , with good reason , that America promised a future ... interests ; and his novels of the 1930's all place American characters in important roles . But at the same time he ...
... interest . In the later years of the 1920's Ford had concluded , with good reason , that America promised a future ... interests ; and his novels of the 1930's all place American characters in important roles . But at the same time he ...
Page 132
... interest . Patronizing as he was in theory to historical fiction , he may still have felt a cer- tain ease in that genre because treating the past conduced to a Flaubertian detachment in which the mot juste might flourish for its own ...
... interest . Patronizing as he was in theory to historical fiction , he may still have felt a cer- tain ease in that genre because treating the past conduced to a Flaubertian detachment in which the mot juste might flourish for its own ...
Page 138
... interests us . We do not care about the initial association of Tristan and the prima donna : we do not believe in Mark's psychol- ogizing : but the moment when those two dismal marionettes have drained unconsideringly the impossible cup ...
... interests us . We do not care about the initial association of Tristan and the prima donna : we do not believe in Mark's psychol- ogizing : but the moment when those two dismal marionettes have drained unconsideringly the impossible cup ...
Contents
Introduction | 1 |
Forden route | 9 |
The Role of the Novelist | 26 |
Copyright | |
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aesthetic Affair American Ancient Lights Antibes Apollo appears artist Ashburnham atmosphere attitude Bright Eyes century character contemporary cultural death doppelgänger Dowell Dowell's earlier novels English Girl episodes experience eyes fiction Fifth Queen Fleight Ford Madox Ford Ford's George Moffat Half Moon Heart of Darkness Henry for Hugh Henry James historian impression Impressionism Impressionist Inheritors irony Jamesian Joseph Conrad Katharine Ladies Whose Bright Last Post late Victorian later Leonora Less Than Gods literary London luxury Madame Bovary Madox Maisie Maisie Knew March of Literature Marsden Martin medieval ment mental method mind modern Monckton Nordic Notterdam novelist Parade's End Parades passion Penkethman perhaps postwar pre-Raphaelite Provence Rash Act reader Return to Yesterday Romance Rossetti Salambô satire scene Secret Agent seems sense sexual social society Soldier spirit story style suicide Sylvia symbolic technique theme Tietjens tetralogy tion tradition trilogy Victorian Violet Hunt writing