Novelist of Three Worlds: Ford Madox FordAnalysis of Ford's development as a novelist by a description, discussion, and dissection of the major novels. |
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Page 49
... impression was , for one thing , a compressing and foreshortening of a much broader field of possible data , such as Gibbon , for example , achieved in his account of the Siege of Constantinople . In the novel it represents the differ ...
... impression was , for one thing , a compressing and foreshortening of a much broader field of possible data , such as Gibbon , for example , achieved in his account of the Siege of Constantinople . In the novel it represents the differ ...
Page 50
... Impression- ism in his group of English novelists from those of naturalistic realism and the provinciality of its outlook . Although their purposes were similar , Ford less often than Conrad achieved in practice the higher flights of ...
... Impression- ism in his group of English novelists from those of naturalistic realism and the provinciality of its outlook . Although their purposes were similar , Ford less often than Conrad achieved in practice the higher flights of ...
Page 116
... impression of the society of the time reveals , nevertheless , his customary irony with respect to the extremes of luxury and misery , perhaps implicitly inherited from the Tudor disunity ; and while he avoids calling up associations ...
... impression of the society of the time reveals , nevertheless , his customary irony with respect to the extremes of luxury and misery , perhaps implicitly inherited from the Tudor disunity ; and while he avoids calling up associations ...
Contents
Introduction | 1 |
Forden route | 9 |
The Role of the Novelist | 26 |
Copyright | |
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Common terms and phrases
aesthetic Affair American Ancient Lights Antibes Apollo appears artist Ashburnham atmosphere attitude Bright Eyes century character contemporary cultural death doppelgänger Dowell Dowell's earlier novels English Girl episodes experience eyes fiction Fifth Queen Fleight Ford Madox Ford Ford's George Moffat Half Moon Heart of Darkness Henry for Hugh Henry James historian impression Impressionism Impressionist Inheritors irony Jamesian Joseph Conrad Katharine Ladies Whose Bright Last Post late Victorian later Leonora Less Than Gods literary London luxury Madame Bovary Madox Maisie Maisie Knew March of Literature Marsden Martin medieval ment mental method mind modern Monckton Nordic Notterdam novelist Parade's End Parades passion Penkethman perhaps postwar pre-Raphaelite Provence Rash Act reader Return to Yesterday Romance Rossetti Salambô satire scene Secret Agent seems sense sexual social society Soldier spirit story style suicide Sylvia symbolic technique theme Tietjens tetralogy tion tradition trilogy Victorian Violet Hunt writing