Novelist of Three Worlds: Ford Madox FordAnalysis of Ford's development as a novelist by a description, discussion, and dissection of the major novels. |
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Page 49
... experience . This prin- ciple , cardinal in Ford's view of the novel , suggests that he adopted Impressionistic technique not for the purposes of word painting but in the desire for an idiom as close as possible to the substance of ...
... experience . This prin- ciple , cardinal in Ford's view of the novel , suggests that he adopted Impressionistic technique not for the purposes of word painting but in the desire for an idiom as close as possible to the substance of ...
Page 71
... experience and so produced in Clarissa a figure “ . moulded on the great lines of the tragedy of the Greeks . " 12 What such comments seem most to reveal is Ford's attraction to works exemplifying not so much a theory of fate in the ...
... experience and so produced in Clarissa a figure “ . moulded on the great lines of the tragedy of the Greeks . " 12 What such comments seem most to reveal is Ford's attraction to works exemplifying not so much a theory of fate in the ...
Page 74
... experience at close hand . In this respect the use of the unconventional visual angle in the scene , above men- tioned , in No More Parades is more than technical ingenuity , since it helps to convey the impression of illogicality in a ...
... experience at close hand . In this respect the use of the unconventional visual angle in the scene , above men- tioned , in No More Parades is more than technical ingenuity , since it helps to convey the impression of illogicality in a ...
Contents
Introduction | 1 |
Forden route | 9 |
The Role of the Novelist | 26 |
Copyright | |
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aesthetic Affair American Ancient Lights Antibes Apollo appears artist Ashburnham atmosphere attitude Bright Eyes century character contemporary cultural death doppelgänger Dowell Dowell's earlier novels English Girl episodes experience eyes fiction Fifth Queen Fleight Ford Madox Ford Ford's George Moffat Half Moon Heart of Darkness Henry for Hugh Henry James historian impression Impressionism Impressionist Inheritors irony Jamesian Joseph Conrad Katharine Ladies Whose Bright Last Post late Victorian later Leonora Less Than Gods literary London luxury Madame Bovary Madox Maisie Maisie Knew March of Literature Marsden Martin medieval ment mental method mind modern Monckton Nordic Notterdam novelist Parade's End Parades passion Penkethman perhaps postwar pre-Raphaelite Provence Rash Act reader Return to Yesterday Romance Rossetti Salambô satire scene Secret Agent seems sense sexual social society Soldier spirit story style suicide Sylvia symbolic technique theme Tietjens tetralogy tion tradition trilogy Victorian Violet Hunt writing