Novelist of Three Worlds: Ford Madox FordAnalysis of Ford's development as a novelist by a description, discussion, and dissection of the major novels. |
From inside the book
Results 1-3 of 21
Page 191
... Dowell and of Ashburnham , so that Dowell may well cry out in perplexity . . what should these people have done ? What , in the name of God , should they have done ? " ( p . 233 ) In these circum- stances the violence of natural death ...
... Dowell and of Ashburnham , so that Dowell may well cry out in perplexity . . what should these people have done ? What , in the name of God , should they have done ? " ( p . 233 ) In these circum- stances the violence of natural death ...
Page 194
... Dowell so constantly in touch that the one character adds weight to the other , the advantage lying especially with Dowell who gains body and vitality as a narrator by the reference of his story to that of Ashburnham . In A Call the ...
... Dowell so constantly in touch that the one character adds weight to the other , the advantage lying especially with Dowell who gains body and vitality as a narrator by the reference of his story to that of Ashburnham . In A Call the ...
Page 200
... Dowell's apparently more fantastic assertion : " . . . I can't conceal from myself the fact that I loved Edward Ashburnham - and that I love him because he was just myself . " ( p . 253 ) Dowell's claim may seem the ultimate in self ...
... Dowell's apparently more fantastic assertion : " . . . I can't conceal from myself the fact that I loved Edward Ashburnham - and that I love him because he was just myself . " ( p . 253 ) Dowell's claim may seem the ultimate in self ...
Contents
Introduction | 1 |
Forden route | 9 |
The Role of the Novelist | 26 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic Affair American Ancient Lights Antibes Apollo appears artist Ashburnham atmosphere attitude Bright Eyes century character contemporary cultural death doppelgänger Dowell Dowell's earlier novels English Girl episodes experience eyes fiction Fifth Queen Fleight Ford Madox Ford Ford's George Moffat Half Moon Heart of Darkness Henry for Hugh Henry James historian impression Impressionism Impressionist Inheritors irony Jamesian Joseph Conrad Katharine Ladies Whose Bright Last Post late Victorian later Leonora Less Than Gods literary London luxury Madame Bovary Madox Maisie Maisie Knew March of Literature Marsden Martin medieval ment mental method mind modern Monckton Nordic Notterdam novelist Parade's End Parades passion Penkethman perhaps postwar pre-Raphaelite Provence Rash Act reader Return to Yesterday Romance Rossetti Salambô satire scene Secret Agent seems sense sexual social society Soldier spirit story style suicide Sylvia symbolic technique theme Tietjens tetralogy tion tradition trilogy Victorian Violet Hunt writing