Novelist of Three Worlds: Ford Madox FordAnalysis of Ford's development as a novelist by a description, discussion, and dissection of the major novels. |
From inside the book
Page 95
tinue in the Salambố tradition but chiefly in matters of style and atmospheric effect
, points discussed during the collaboration on Romance when , according to Ford
, Conrad had expected “ . . . a drama of Cuban pirates , immense and gloomy ...
tinue in the Salambố tradition but chiefly in matters of style and atmospheric effect
, points discussed during the collaboration on Romance when , according to Ford
, Conrad had expected “ . . . a drama of Cuban pirates , immense and gloomy ...
Page 306
Romance , p . 530 . 44 . Conrad and Ford , The Nature of a Crime , pp . 86 – 87 .
45 . James , The Wings of the Dove , II , p . 188 . 46 . Joseph Conrad , pp . 180 –
81 . CHAPTER V 1 . Ford , Joseph Conrad , p . 176 . 2 . Joseph Conrad , p . 175 .
Romance , p . 530 . 44 . Conrad and Ford , The Nature of a Crime , pp . 86 – 87 .
45 . James , The Wings of the Dove , II , p . 188 . 46 . Joseph Conrad , pp . 180 –
81 . CHAPTER V 1 . Ford , Joseph Conrad , p . 176 . 2 . Joseph Conrad , p . 175 .
Page 311
I . WORKS BY FORD Madox FORD A Little Less Than Gods : A Romance .
London : Duckworth , 1928 . A Man Could Stand Up New York : Grosset and
Dunlap , 1926 . A Mirror to France . New York : Albert and Charles Boni , 1926 .
An English ...
I . WORKS BY FORD Madox FORD A Little Less Than Gods : A Romance .
London : Duckworth , 1928 . A Man Could Stand Up New York : Grosset and
Dunlap , 1926 . A Mirror to France . New York : Albert and Charles Boni , 1926 .
An English ...
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action Affair American appears artist Ashburnham association atmosphere attempt attitude becomes Call cause central century character civilized close complete concern Conrad contemporary continued course critical cultural death Dowell earlier early effect England English evident example existence experience eyes fact feeling fiction Fifth Queen figure final Fleight force Ford Ford's girl hand Henry historical human imaginative impression Impressionist individual interest James kind late later less light literary literature living manner March Mark means mental method mind moved nature novel novelist once particular passion past perhaps period position present reader reason reflection regarded relation remains represented respect result Return Romance scene seems sense social society Soldier spirit stand story style suggest taking tetralogy theme things thought Tietjens tion tradition turn Victorian whole writing young