Hyper/text/theoryGeorge P. Landow, Professor George P Landow In his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory. Among the contributors, Charles Ess uses the work of Jrgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands. |
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In print , I can safely assume that the “ she ” in The Good Soldier is the same
Leonora I encountered in the preceding paragraph . In the interactive WOE ,
however , I find myself straining to minimize the indeterminacies that temporarily
disrupt ...
When I read the place “ Their , " for example , I encounter a conversation between
a man and a woman and manage to identify the woman as “ not Filly , ” because
the man here wonders if the woman wears this perfume because she knows he ...
With bare legs and midriff , she wore sweeping half - open skirts and tons of
colorful costume jewelry . She introduced the turban to the American scene , and
topped it with the fruits of her native Brazil . This exaggerated Latin spectacle ...
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Contents
Critical Theory in the | 3 |
Nonlinearity and Literary Theory | 51 |
Espen J Aarseth | 67 |
Copyright | |
10 other sections not shown