George P. Landow, Professor George P Landow
Johns Hopkins University Press, 1994 - Literary Criticism - 377 pages
In his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory.
Among the contributors, Charles Ess uses the work of Jrgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands.
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Haraway ' s dependence upon the opposition of determined mechanism and
contingent organism in describing female subjectivity , and her attempts to
conflate that opposition , is typical of the avant - garde thrust beyond and not
It is safe to say that the uses of the trope nonlinear by hypertext theorists have
more properly involved the sense of the determined or practically contingent
direction of words , as they are written or read . In this sense , what hypertext
Martin E . Rosenberg 2 8 8 • demonstrates the centrality of Bergson ' s theories of
contingent duration , and their extrapolation in his theory of creative evolution , to
Proust ' s aesthetic . This centrality suggests that the translation of A la ...
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