The Polish Review, Volume 49Polish Institute of Arts and Sciences in America., 1956 - Poland |
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Page 555
... portrait / people photos , he had two other definite styles . One is what I called his " reportage " style , very clear and focused photographs of scenes , situations , groups , confrontations , all clearly obvious , and often quite ...
... portrait / people photos , he had two other definite styles . One is what I called his " reportage " style , very clear and focused photographs of scenes , situations , groups , confrontations , all clearly obvious , and often quite ...
Page 649
... portrait of an archetypal child who passes through brutal initiation rites but as a portrait of a social community , which functions as a collective actor in the great theater of cruelty . This sociological portrait is a construction ...
... portrait of an archetypal child who passes through brutal initiation rites but as a portrait of a social community , which functions as a collective actor in the great theater of cruelty . This sociological portrait is a construction ...
Page 753
... portrait of Russian Warsaw in the mid - 1880s was provided by the journalist Antoni Zaleski in a series of “ letters by Baroness XYZ " published in Kraków . Zaleski described the infamous Russifier I. V. Gurko as possibly more anti ...
... portrait of Russian Warsaw in the mid - 1880s was provided by the journalist Antoni Zaleski in a series of “ letters by Baroness XYZ " published in Kraków . Zaleski described the infamous Russifier I. V. Gurko as possibly more anti ...
Contents
Barbara Tepa Lupack Introduction | 531 |
Tomasz Mirkowicz | 539 |
Jerzy Kosinski | 597 |
Copyright | |
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