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Break open chest.

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'Tis very well, I thank thee; help it on.
George. It must come over your head, sir, like
a wench's petticoat.

Can. Thou'rt in the right, good George; it
must, indeed.

Fetch me a night-cap; for I'll gird it close,
As if my health were queasy: 'twill show well
For a rude careless night-gown; will't not, think'st?
George. Indifferent well, sir, for a night-gown,
being girt and plaited.

Can. Aye, and a night-cap on my head.
George. That's true, sir; I'll run and fetch one,
and a staff.
[Exit GEORGE.
Can. For thus they cannot chuse but con-
strue it :

One that is out of health takes no delight,
Wears his apparel without appetite,

Can. Ono, break open chest! that's a thief's And puts on heedless raiment without form.

office;

Therein you counsel me against my blood:
'Twould shew impatience that. Any meek means
I would be glad to embrace. Mass, I have got it;
Go, step up, fetch me down one of the carpets,
The saddest coloured carpet, honest George;
Cut thou a hole in the middle for my neck,
Two for mine arms.-Nay, pr'ythee look not
strange.

George. I hope you do not think, sir, as you

mean.

Enter GEORGE.

So, so, kind George, be secret now; and, pr'ythee,
Do not laugh at me, till I'm out of sight.
George. I laugh! not I, sir.

Can. Now to the senate-house;
Methinks I'd rather wear, without a frown,
A patient carpet than an angry gown. [Exit.
George. Now looks my master just like one of
our carpet knights, only he's somewhat the ho-
nester of the two.

43 Cruzadoes.—A cruzado is a Portuguese coin, struck under Alphonsus V. about the year 1457, at the time when Pope Calixtus sent thither the bull for a croisade against the Infidels. It had its name from a cross which it bears on one side; the arms of Portugal being on the other. The value of it is 40 French sols, or upwards of 2s. 10d. sterling.

49 Carpet-knights.-The following account of this Order of Knighthood is taken from a Note, by Sir James Burrows, on Twelfth Night, A. 3. S. 4: "There was an order of Knighthood of the appellation of KNIGHTS OF THE CARPET, though few or no persons (at least among those whom I have consulted) seem to know any thing about it, or even to have heard of it. I have taken some memorandum concerning the institution, and know that William Lord Burgh of Scarborough-castle in the County of Surry, father to Thomas Lord Burgh, Deputy of Ireland, and to Sir John Burgh (who took the great Caracca ship in 1592) was made a Knight of the carpet, at Westminister, on the 2d of October, 1553, the day after Queen Mary's coronation: and I met with a list of all who were made so at the same time, in Strype's Memorials, vol. III. Appendix, p. 11. See Anstis's Observations on the Knighthood of the Bath, (Lond. 1725.) p. 50. Upon the accession of Queen Mary to the throne, a commission was granted to the Earl of Arundel, empowering him to make Knights, but WITHOUT any additional title, within two days after the date of that patent, which were the two days preceding her coronation. In pursuance hereof, we

Enter CANDIDO's Wife.

Wife. What, is your master gone? George. Yes, forsooth, his back is but new turned.

Wife. And in his cloak? did he not vex and swear?

George. No; but he'll make you swear anon; no, indeed, he went away like a lamb.

Wife. Key, sink to hell; still patient, patient
still!

I am with child to vex him. Pr'ythee, George,
If e'er thou lookest for favour at my hands,
Uphold one jest for me.

George. Against my master?

where's your mistress? there's the finest, neatest gentleman at my house, but newly come over; O where is she, where is she, where is she?

Roger. My mistress is abroad, but not amongst them; my mistress is not the whore now that you take her for.

Bawd. How! is she not a whore? do you go about to take away her good name, Roger? you are a fine pander, indeed.

Roger. I tell you, Madona Finger-lock, I am not sad for nothing; I ha' not eaten one good meal this three and thirty days; I had wont to get sixteen-pence by fetching a pottle of Ipocras; but now those days are past; we had as good doings, Madona Finger-lock, she within doors, and

Wife, Tis a mere jest, in faith; say, wilt thou 1 without, as any poor young couple in Milan.

do't?

George. Well, what is't?

Wife. Here, take this key; thou know'st where
all things lie;

Put on thy master's best apparel, gown,
Chain, cap, ruff, every thing; be like himself;
And, 'gainst his coming home, walk in the shop;
Feign the same carriage, and his patient look;
"Twill breed but a jest, thou knowest : speak, wilt

thou?

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Bawd. God's my life, and is she changed now? Roger. I ha' lost by her squeamishness more than would have builded twelve bawdy houses.

Bawd. And had she no time to turn honest but now? what a vile woman is this! twenty pound a night, I'll be sworn, Roger, in gold and no silver. Why, here was a time! if she should ha' picked out a time, it could not be better! gold enough stirring; choice of men, choice of hair, choice of beards, choice of legs, and choice of every, every, every thing. It cannot sink into my head, that she should be such an ass. Roger, I'll never believe it.

Roger. Here she comes now.

Enter BELLA Front.

Bawd. O sweet Madona, on with your loose gown, your felt and your feather! there's the sweetest, prop'rest, gallantest, gentleman at my house; he smells all of musk and ambergrise, his pocket full of crowns, flame-coloured doublet, red sattin hose, carnation silk stockings, and a leg and a body,--oh!

find the names of the Knights, created by him, according to the stated form of creating Knights of the Bath; and the variety of the ceremonies used so distinctly related, that it particularly deserves to be consulted in the Appendix,

"So that Mr Anstis plainly considers them as being only a species of Knights of the Bath, though without any additional title.

"If so, the appellation of Knights of the Carpet might be only popular; not their strict or proper title. This, however, was sufficient to induce Shakespeare (who wrote whilst they were commonly spoken of by such an appellation) to use that term in contrast to a knighthood conferred upon a real soldier, as a reward of military valour."

These Carpet Knights are spoken of with great contempt by many contemporary writers.

Massinger's Maid of Honour, A. 2. §. 5 :

"To men I had forborn it; you are women,

Or, at the best, loose Carpet Knights.”

The Unnatura Combat, A. 3. S. 3.

"There your Carpet Knights,

That never charged beyond a mistress' lips,
Are still most keen and valiant.”

See also Mr Steevens's Note on The Twelfth Night, vol. IV. p. 245, and Note to Beaumont and Fletcher, vol. IX. p. 349. edit. 1778.

Bel. Hence thou, our sex's monster, poisonous
bawd,

Lust's factor, and damnation's orator!
Gossip of hell, were all the harlots sins,
Which the whole world contains, numbered to-
gether,

Thine far exceeds them all: of all the creatures,
That ever were created, thou art basest.
What serpent would beguile thee of thy office?
It is detestable; for thou liv'st

Upon the dregs of harlots; guard'st the door,
Whilst couples go to dancing. O, coarse devil!
Thou art the bastard's curse, thou brand'st his
birth;

The letcher's French disease; for thou dry-suck'st him:

The harlot's poison, and thine own confusion.
Bawd. Marry come up, with a pox! have you
nobody to rail against, but your bawd, now?
Bel. And you, knave, pander, kinsman to a
bawd!

Roger. You and I, Madona, are cousins.
Bel. Of the same blood and making, near

allied;

Rog. Scurvy, honest punk!-But stay, Madona; how must our agreement be now? for, you know, I am to have all the comings-in at the halldoor, and you at the chamber-door.

Bawd. True, Roger, except my vails.

Rog. Vails, what vails?

Bawd. Why, as thus; if a couple come in a coach, and light to lie down a little, then, Roger, that's my fee, and you may walk abroad; for the coachman himself is their pander.

Rog. Is he so? In truth, I have almost forgot, for want of exercise. But how, if I fetch this citizen's wife to that gull, and that Madona to that gallant; how then?

Bawd. Why, then, Roger, you are to have sixpence a lane; so many lanes, so many sixpences. Rog. Is't so then I see we two shall agree, and live together.

Bawd. Aye, Roger, so long as there be any taverns and bawdy-houses in Milan. [Exeunt.

SCENE IX.

Thou that art slave to six-pence; base metal'd Enter BELLAFRONT, with a Lute; Pen, Ink, and

villain!

I never

Roger. Six-pence! nay, that's not so; took under two shillings and four pence. I hope I know my fee.

Bel. I know not against which most to inveigh; For both of you are damn'd so equally. Thou never sparest for oaths; swear'st any thing, As if thy soul were made of shoe-leather. God damn me, gentlemen, if she be within, When, in the next room, she's found dallying.

Roger. If it be my vocation to swear, every man in his vocation; I hope my betters swear, and damn themselves; and why should not I? Bel. Roger, you cheat kind gentlemen. Roger. The more gulls they. Bel. Slave, I cashier thee.

Bawd. And you do cashier him, he shall be entertained.

Roger. Shall I then 50 blurt o'your service? Bel. As hell would have it, entertained by you! I dare the devil himself to match those two.

[Exit. Bawd. Marry gup! are you grown so holy, so pure, so honest, with a pox?

Paper, being placed before her.

SONG.

The courtier's flattering jewels,
(Temptation's only fuels ;)
The lawyer's ill-got moneys,
That suck up poor bees' honeys;
The citizen's son's riot;
The gallant's costly diet;
Silks and velvets, pearls and ambers,
Shall not draw me to their chambers.
Silks and velvets, &c.
[She writes.

Oh, tis in vain to write; it will not please.
Ink, on this paper, would ha' but presented
The foul black spots that stick upon my soul;
And rather make me loathsomer, than wrought
My love's impression in Hipolito's thought.
No, I must turn the chaste leaves of my breast,
And pick out some sweet means to breed my

rest.

Hipolito, believe me, I will be

As true unto thy heart, as thy heart to thee; And hate all men, their gifts, and company.

So Blurt o your service. An expression of contempt very frequent in writers of the times.
Marston's First Part of Antonio and Mellida, A. 4:

"Blirt on your Aye mees, guard her safely hence."

And, in Edward III. A. 4. S. 6:

"This day hath set derision on the French, 19

And all the world will blurt and scorn at us.

Enter MATHEO, CASTRUCHIO, FLUELLO, PIO

RATTO.

Math. You, goody punk, subaudi cockatrice," O, you're a sweet whore of your promise; are you not, think you? how well you came to supper to us last night! Mew, a whore, and break her word! Nay, you may blush, and hold down your head at it well enough; 'sfoot! ask these gallants if we staid not till we were as hungry as serjeants.

Fluel. Aye, and their yeomen too.

Cust. Nay, faith, acquaintance, let me tell you, you forgot yourself too much; we had excellent cheer, rare vintage, and were drunk after supper. Pior. And when we were in our wood-cocks, (sweet rogue!) a brace of gulls, dwelling here in the city, came in, and paid all the shot. 52

Math. Pox on her, let her alone.

Bel. O aye, pray do; if you be gentlemen,
I pray depart the house. Beshrew the door
For being so easily entreated; faith,
I lent but little ear unto your talk;
My mind was busied otherwise, in troth,
And so your words did unregarded pass:
Let this suffice, I am not as I was.

Fluel. I am not what I was! no, I'll be sworn thou art not for thou wert honest at five, and now thou'rt a punk at fifteen; thou wert yesterday a simple whore, and now thou'rt a cunning coney-catching baggage to-day.

Bel. I'll say, I'm worse; I pray forsake me, then;

I do desire you leave me, gentlemen,

And leave yourselves: O, be not what you are,
Spendthrifts of soul and body!

Let me persuade you to forsake all harlots,
Worse than the deadliest poisons; they are worse,
For o'er their souls hangs an eternal curse.
In being slaves to slaves, their labours perish :
They're seldom blest with fruit; for, ere it blos-

soms,

Many a worm confounds it.

They have no issue, but foul ugly ones,

That run along with them, e'en to their graves;
For, 'stead of children, they breed rank diseases;
And all you gallants can bestow on them,
Is that French infant, which ne'er acts, but speaks.
What shallow son and heir, then, foolish gallant,
Would waste all his inheritance to purchase
A filthy loathed disease, and pawn his body
To a dry evil? That usury's worst of all,
When the interest will eat out the principal.
Math. 'Sfoot, she gulls 'em the best! This is
always her fashion, when she would be rid of any
company, that she cares not for, to enjoy mine
alone.

Fluel. What's here? instructions, admonitions, and caveats! Come out, you scabbard of venge

ance.

Math. Fluello, spurn your hounds when they foist; you shall not spurn my punk, I can tell you; my blood is vext.

Fluel. Pox o' your blood! make it a quarrel.
Math. You're a slave; will that serve turn?
Omnes. 'Sblood, hold, hold!

Cast. Math. Fluel. For shame put up.
Math. Spurn my sweet varlet!
Bel. O how many thus,

Moved with a little folly, have let out
Their souls in brothel houses! fell down, and died
Just at their harlot's foot, as 'twere in pride.
Fluel. Matheo, we shall meet.

Math Aye, aye, any where, saving at church;
pray take heed we meet not there.
Fluel. Adieu, damnation!
Cast. Cockatrice, farewell!

Pior. There's more deceit in women, than in [Exeunt.

hell. Math. Ha, ha! thou dost gull 'em so rarely, so naturally! if I did not think thou had'st been in earnest. Thou art a sweet rogue for't, i'faith.

Bel. Why are not you gone too, signior Matheo? I pray, depart my house; you may believe me : In troth, I have no part of harlot in me. Math. How's this?

Bel. Indeed, I love you not; but hate you

worse

Than any man, because you were the first
Gave money for my soul. You brake the ice,
Which after turned a puddle: I was led
By your temptation to be miserable.

I

pray, seek out some other that will fall, Or, rather, (I pray,) seek out none at all.

Math. Is't possible to be? Impossible! An honest whore! I have heard many honest wenches turn strumpets, with a wet finger; but for a harlot to turn honest, is one of Hercules's labours. It was more easy for him, in one night, to make fifty queans, than to make one of them honest again in fifty years. Come, I hope, thou dost but jest.

Bel. 'Tis time to leave off jesting, I had almost Jested away salvation: I shall love you, If you will soon forsake me.

Math. God be with thee.

Bel. Oh, tempt no more women; shun their weighty curse!

Women (at best) are bad, make them not worse.
You gladly seek our sex's overthrow,
But not to raise our states. For all your wrongs,
Will you vouchsafe me but due recompence;
To marry with me?

Math. How! marry with a punk, a cockatrice,

51 Cockatrice-See Note 41 to The Antiquary, postea.

52 The shot,-i. e. the reckoning; a term still used in many parts of the kingdom.

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foh! I'll be burnt thorough the | What will your lordship have to breakfast?

Bel. Why, lah? these are your oaths: you love to undo us,

To put heaven from us, whilst our best hours

waste:

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Enter a Servant, setting out a Table; on which he places a Skull, a Picture, a Book, and a Taper.

Sero. So, this is Monday morning; and now must I to my housewifery. Would I had been created a shoemaker; for all the gentle craft are gentlemen every Monday by their copy, and scorn (then) to work one true stitch. My master means, sure, to turn me into a student; for here's my book, here my desk, here my light; this my close chamber, and here my punk: so that this dull drowsy first day of the week makes me half a priest, half a chandler, half a painter, half a sexton, aye, and half a bawd; for all this day my office is to do nothing but keep the door. To prove it, look you, this good face and yonder gentleman, so soon as ever my back's turned, will be naught together.

Enter HIPOLITO..

Hip. Are all the windows shut? Serv. Close, sir, as the fist of a courtier that hath stood in three reigns.

Hip. Thou art a faithful servant, and observ'st The calendar, both of my solemn vows And ceremonious sorrow: Get thee gone. I charge thee on thy life, let not the sound Of any woman's voice pierce through that door. Serv. If they do, my lord, I'll pierce some of them.

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[Exit.

Hip. My Infelice's face, her brow, her eye,
The dimple on her cheek; and such sweet skill
Hath from the cunning workman's pencil flown,
These lips look fresh and lively as her own;
Seeming to move and speak. 'Las! now I see,
Adulterate complexion; here 'tis read;
The reason why fond women love to buy

False colours last after the true be dead.
Of all the roses grafted on her cheeks,
Of all the graces dancing in her eyes,
Of all the music set upon her tongue,
Of all that was past woman's excellence,
In her white bosom; look, a painted board
Circumscribes all! Earth can no bliss afford;
Nothing of her but this! This cannot speak;
It has no lap for me to rest upon;
No lip worth tasting. Here the worms will feed,
As in her coffin. Hence, then, idle art!
True love's best pictured in a true-love's heart.
Here art thou drawn, sweet maid, till this be dead!
So that thou liv'st twice, twice art buried.
Thou figure of my friend, lie there. What's here?
Perhaps this shrewd pate was mine enemy's.
'Las! say it were, I need not fear him now:
For all his braves, his contumelious breath;
His frowns, though dagger-pointed; all his plot,
Though ne'er so mischievous; his Italian pills;
His quarrels; and that common fence, his law;
See, see, they're all eaten out; here's not left one;
How clean they're pickt away to the bare bone!
How mad are mortals, then, to rear great names
On tops of swelling houses! or to wear out
Their fingers ends in dirt, to scrape up gold!
Not caring, so that sumpter-horse, 54 the back,
Be hung with gaudy trappings, with what coarse,
Yea, rags most beggarly, they clothe the soul;

53 Ostend. The siege of this place is frequently alluded to in our ancient writers. It was taken by the Marquis of Spinola, on the 8th of September, 1604, after it had held out three years and ten weeks.-See "A True History of the Memorable Siege of OSTEND, and what passed on either side, from the beginning of "the Siege unto the yielding up of the Town." 4to, 1604.

54 Sumpter-horse,-A horse that carries the necessaries and expenses for a journey.

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