Then gan the cursed Wretch alowd to cry, LXI. He lookt a litle further, and espyde Another Wretch, whose carcas deepe was drent1 Within the river which the same did hyde: But both his handes, most filthy feculent,2 Above the water were on high extent,3 And faynd to wash themselves incessantly, Yet nothing cleaner were for such intent, But rather fowler seemed to the eye; So lost his labour vaine and ydle industry. LXII. The Knight, him calling, asked who he was? The whiles my soule was soyld with fowle iniquity.” LXIII. Infinite moe tormented in like paine He there beheld, too long here to be told : 1 Drent, drenched. Feculent, foul. 3 Extent, raised. 4 Faynd, pretended, seemed. 5 Despiteous, malicious. 6 Moe, more. LXII. 8.- In purity.] In token of purity. For terrour of the tortures manifold, In which the damned soules he did behold, But roughly him bespake: "Thou fearefull foole, Why takest not of that same fruite of gold? Ne sittest downe on that same silver stoole, To rest thy weary person in the shadow coole?" LXIV. All which he did to do him deadly fall In frayle intemperaunce through sinfull bayt; That Dreadfull Feend, which did behinde him wayt, LXV. And now he has so long remained theare, That vitall powres gan wexe both weake and wan That none without the same enduren can: Forthy 2 great Mammon fayrely he besought Into the world to guyde him backe, as he him brought. LXVI. The God, though loth, yet was constraynd t' obay; For lenger time, then 3 that, no living wight So backe againe him brought to living light. 1 Lust, avarice. 2 Forthy, therefore. 3 Then, than. But all so soone as his enfeebled spright And all his sences were with deadly fit opprest.* * In the swoon of Sir Guyon, it has been conjectured that Spenser means to express that state of torpid inaction into which the best faculties of the mind and heart fall, from the too eager and exclusive pursuit of wealth. The images and incidents in this canto are derived partly from classical mythology, and partly from the capacious stores of romantic fiction. CANTO VIII. Sir Guyon, layd in swowne, is by Whom Arthure soone hath reskewed, AND is there care in heaven? And is there love In heavenly spirits to these creatures bace, That may compassion of their evils move? There is: else much more wretched were the cace Of men then beasts: But O! th' exceeding grace Of Highest God that loves his creatures so, And all his workes with mercy doth embrace, To serve to wicked man, to serve his wicked foe! II. How oft do they their silver bowers leave Then, than. 2 Flitting, yielding. I. 1. And is there care in heaven? &c.] These two introductory stanzas are very beautiful-equally remarkable for dignity of sentiment and beauty of versification And all for love and nothing for reward: O, why should Hevenly God to men have such regard! III. During the while that Guyon did abide In Mammons House, the Palmer, whom whyleare1 IV. The Palmer lent his ear unto the noyce, To weet 2 who called so impórtunely: Againe he heard a more efforced 3 voyce, That bad him come in haste: He by and by His feeble feet directed to the cry; Which to that shady delve him brought at last, Where Mammon earst 5 did sunne his threasury: There the good Guyon he found slumbring fast In senceles dreame; which sight at first him sore aghast.6 V. Beside his head there satt a faire young man, 1 Whyleare, a little while ago. 2 Weet, learn. 3 More efforced, louder. 4 Delvc, cave. 5 Earst, before. That wanton Mayd, &c.] Phædria. See canto VI. stanza |