Secreted Desires: The Major Uranians - Hopkins, Pater and Wilde |
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Page vii
... artistic subculture with a coded language of its own ' ( p.28 ) . 4 Since ' paederasty ' derives from pæderastia , a Latin word arising from the Greek word paiderastês ( παιδεραστής ) — pais ( παίς ) ' boy ' + erastês ( εραστής ) ...
... artistic subculture with a coded language of its own ' ( p.28 ) . 4 Since ' paederasty ' derives from pæderastia , a Latin word arising from the Greek word paiderastês ( παιδεραστής ) — pais ( παίς ) ' boy ' + erastês ( εραστής ) ...
Page ix
... Artist and Journal of Home Culture, then under the editorship of Charles Philip Castle Kains Jackson (1857-1933) ... artist such as Henry Scott Tuke (1858-1929). Discreetly hidden within The Artist's closely printed columns, this Uranian ...
... Artist and Journal of Home Culture, then under the editorship of Charles Philip Castle Kains Jackson (1857-1933) ... artist such as Henry Scott Tuke (1858-1929). Discreetly hidden within The Artist's closely printed columns, this Uranian ...
Page xvii
... artist is neither for nor against the law , he stands aside from it ' , maintaining a conciliatory form of ' discretion ' that often involves a conscious split into a private self and a constructed , public 4 self: 'In the middle world ...
... artist is neither for nor against the law , he stands aside from it ' , maintaining a conciliatory form of ' discretion ' that often involves a conscious split into a private self and a constructed , public 4 self: 'In the middle world ...
Page xxv
... artist Simeon Solomon . I would like to thank Karen Sherry , Assistant Curator of the American Art Department , Brooklyn Museum , for her kind assistance with the details of The Bowlers . Thomas Paul Bonfiglio , ' Winckelmann and the ...
... artist Simeon Solomon . I would like to thank Karen Sherry , Assistant Curator of the American Art Department , Brooklyn Museum , for her kind assistance with the details of The Bowlers . Thomas Paul Bonfiglio , ' Winckelmann and the ...
Page xxxiv
... Pater and Wilde Michael Matthew Kaylor. Jeune garçon avec un chat Pierre - Auguste Renoir ( 1841-1919 ) Oil on canvas , 1868-69 Musee d'Orsay , Paris , France Johann Joachim Winckelmann Artist unknown Copperplate Engravings Artist ( s.
... Pater and Wilde Michael Matthew Kaylor. Jeune garçon avec un chat Pierre - Auguste Renoir ( 1841-1919 ) Oil on canvas , 1868-69 Musee d'Orsay , Paris , France Johann Joachim Winckelmann Artist unknown Copperplate Engravings Artist ( s.
Common terms and phrases
aesthetic artist beauty Benjamin Jowett biographical Cambridge University Press claim Classical considered contemporary critics culture Davenport death Decadent Digby Mackworth Dolben Dolben Donoghue Dorian Gray Dowling English Epithalamion erotic essay Eton Flavian friendship Gerard Manley Hopkins Greek Hellenism homoerotic homoerotic and paederastic homoeroticism Homosexuality Hopkins's Epithalamion Ibid Inversnaid Ionica J. A. Symonds James John John Addington Symonds Johnson Journal Jowett last accessed later Leonardo Letters lines literary Literature London Lord Henry lover Maisie male manuscript Marius the Epicurean notes novel Oscar Wilde Oxford University Press paederastic paederastic desires passage passion Paterian pedagogy phrasing Picture of Dorian Platonic poem poet poetic poetry quoted reader reading recognised Renaissance 1893 Review Robert Bridges Rolfe Roman Routledge seems sexual Simeon Solomon Sobolev society sodomy sonnet Studies suggests Symonds textual trans underthought Uranian Victorian vols Walter Pater Warren Cup Whitman Wilde's William Winckelmann writes York young youth
Popular passages
Page 245 - This living hand, now warm and capable Of earnest grasping, would, if it were cold And in the icy silence of the tomb...
Page 320 - The Love that dare not speak its name" in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep, spiritual affection that is as pure as it is perfect. It...
Page 332 - Conclusion" was omitted in the second edition of this book, as I conceived it might possibly mislead some of those young men into whose hands it might fall. On the whole, I have thought it best to reprint it here, with some slight changes which bring it closer to my original meaning. I have dealt more fully in Marius tht Epicurean with the thoughts suggested by it.
Page 123 - I wake and feel the fell of dark, not day. What hours, O what black hours we have spent This night! what sights you, heart, saw; ways you went! And more must, in yet longer light's delay.
Page 402 - THE fine delight that fathers thought; the strong Spur, live and lancing like the blowpipe flame, Breathes once and, quenched faster than it came, Leaves yet the mind a mother of immortal song. Nine months she then, nay years, nine years she long Within her wears, bears, cares and combs the same: The widow of an insight lost she lives, with aim Now known and hand at work now never wrong.
Page 124 - I'll not, carrion comfort, Despair, not feast on thee; Not untwist— slack they may be — these last strands of man In me or, most weary, cry I can no more. I can; Can something, hope, wish day come, not choose not to be. But ah, but O thou terrible, why wouldst thou rude on me Thy wring-world right foot rock? lay a lionlimb against me? scan With darksome devouring eyes my bruised bones? and fan, O in turns of tempest, me heaped there; me frantic to avoid thee and flee?
Page 136 - NOT, I'll not, carrion comfort, Despair, not feast on thee; Not untwist — slack they may be — these last strands of man In me or, most weary, cry / can no more. I can ; Can something, hope, wish day come, not choose not to be.
Page 186 - You sea! I resign myself to you also — I guess what you mean; I behold from the beach your crooked inviting fingers, I believe you refuse to go back without feeling of me...
Page 346 - It seems very pretty," she said when she had finished it, "but it's rather hard to understand ! " (You see she didn't like to confess, even to herself, that she couldn't make it out at all.) " Somehow it seems to fill my head with ideas — only I don't exactly know what they are!
Page 227 - Hugo says: we are all under sentence of death, but with a sort of indefinite reprieve — les hommes sont tous condamnes a mart avec des sursis indefinis: we have an interval, and then our place knows us no more. Some spend this interval in listlessness, some in high passions, the wisest, at least among "the children of this world,