Here stands a wood bedeckt with summer's pride, Here a canal of waters, deep and clear, Whose spouting cascades please the eye and ear,. Gives life to all, and makes the scene complete ; At night a gay assembly and a ball, Murphy's sweet harp, and dancing closes all." The ballad mentioned very glibly runs on in praise of the springs of Mallow, according to this fashion, to the air of " Ballyspellen," "All you that are Both lean and bare, With scarce an ounce of tallow, To make your flesh Look plump and fresh, Come, drink the springs at Mallow! For all that you Are bound to do Is just to gape and swallow; You'll find by that You'll rowl in fat, Most gloriously at Mallow! Or, if love's pain Disturbs your brain, And makes your reason shallow, To shake it off, Gulp down enough Of our hot springs at Mallow!" Notwithstanding this advice, the author of the " Adieu to Mallow," instead of there shaking off "love's pain," seems to have become so fascinated by the charms of Susan, or Mary, or Bess, that if the words of man are to be believed, one of these damsels should have had an early opportunity of considering whether she would like to "cry ballow, To lull and keep Her babe asleep Beside the springs of Mallow!" Oh, Mallow, dear Mallow, adieu ! How oft have I walked by thy spring, By the streamlet that winds through thy vale; How oft, at still eve, on thy mead, The soft breeze have I joyed to inhale. O'er thy green hills, high-bosomed in wood, Have I gazed in wild transport around! Invoking the powers that preside O'er the stream, o'er the grove, o'er the hill, With their presence my fancy to guide, With their fire my wrapt bosom to fill. On a rock hanging over the flood, Through the wild glen meandering slow, To see, in the heart of the wave, The glen, and the rock, and the sky, How bright the reflection it gave, How pleased, how delighted was I. At the foot of an elm, or a lime, How oft have I stretched me along, How oft, too, as accident led, Through the churchyard path's fear-stirring ground, Busy Fancy has called up the dead, To glide in dread visions around. These sweet walks, this soft quiet, and all Those blameless, those rational joys, Must I quit for the buzz of the hall, For dissonance, wrangling, and noise; For the city's dull uniform scene, Where jobbing, and party, and strife, "The language which flows from the heart," On the village-maid's innocent cheek, 'Mid the birthnight's fantastical rows, How lost were the labour to seek! Yet oft shall fond Memory anew, And ye, my companions so dear, What words my deep anguish can tell? Receive from a witness this tear, How it pains me to bid you farewell. Ye, too, for I read in your eyes The emotions that swell at your heart, Ye have not yet learned to disguise,"Ye are sorry to see me depart." Sweet seat of Contentment and Ease, Eat, drink, read, laugh, saunter, or sleep; The next spring may new-brighten thy scene, And thy leaves and thy blossoms restore: But bring the loved circle again, Or the landscape will charm me no more. Sweet commerce of unison minds, A treasure how rarely possess'd; But, hark! 'tis the chaise at the door, Oh, Mallow, dear Mallow, adieu ! THE RAKES OF MALLOW. So were the young men of that fashionable waterdrinking town proverbially called; and a set of "pretty pickles" they were, if the song, descriptive of their mode of life, here recorded after the most delicate oral testimony, is not very much over-coloured. Air-" Sandy lent the man his Mull." Beauing, belling, dancing, drinking, Ever raking, never thinking, Live the rakes of Mallow. Spending faster than it comes, Bacchus's true begotten sons, Live the rakes of Mallow. One time naught but claret drinking, Then like politicians thinking To raise the sinking funds when sinking, Live the rakes of Mallow. * Cursing extravagantly; i.e. "damning you to hell, and sinking you lower." |