The Stage Life of Props

action actor altar ambiguous audience baby Beckett becomes Bel-imperia Bianca blood bloody handkerchief body Brack bread Brownie Cambridge University Press Cassio century characters Christ's church cited cloth consecrated contract Corpus Christi plays Croxton Play dead Desdemona Desdemona's handkerchief Diehl early modern Elizabethan emblem Emilia English erotic eucharist Fefu Fefu's felt absence Gloriana Hamlet handkerchief Hedda Gabler Hedda's pistols Hieronimo Hippolito holy Honest Whore Horatio Host Iago Ibsen John Julia kill Kyd's lago late medieval literally liturgical drama London Lovborg magic Maria Irene Fornes Mass Medieval Drama memento mori napkin object oble ocular proof once Othello Oxford performance perspective phenomenological play's playwright prop prop's real presence Reformation Renaissance Resurrection revenge Revenger's Tragedy ritual sacrament sacred scarf scene semiotic Shakespeare shot skull Spanish Tragedy spectator stage properties suicide symbolic temporal Tesman theater theatrical thing token transubstantiation Vindice Visitatio visual wafer Winnie Winnie's Yorick's York