As it was the only monument of the kind in that part of the country, it had always been regarded with feelings of superstition by the good wives of the vil lage. It was said to get up from the tomb and walk the rounds of the churchyard in stormy nights, particularly when it thundered; and one old woman whose cottage bordered on the churchyard, had seen it through the windows of the church, when the moon shone, slowly pacing up and down the aisles. It was the belief that some wrong had been left unredressed by the deceased, or some treasure hidden, which kept the spirit in a state of trouble and restlessness. Some talked of gold and jewels buried in the tomb, over which the spectre kept watch; and there was a story current of a sexton, in old times, who endeavoured to break his way to the coffin at night; but just as he reached it, received a violent blow from the marble hand of the effigy, which stretched him senseless on the pavement. These tales were often laughed at by some of the sturdier among the rustics; yet, when night came on, there were many of the stoutest unbelievers that were shy of venturing alone in the footpath that led across the churchyard.

From these and other anecdotes that followed, the crusader appeared to be the favourite hero of ghost stories throughout the vicinity. His picture, which hung up in the hall, was thought by the servants to have something supernatural about it: for they remarked that, in whatever part of the hall you went, the eyes of the warrior were still fixed on you. The

old porter's wife, too, at the lodge, who had been born and brought up in the family, and was a great gossip among the maid-servants, afirmed, that in her young days she had often heard say, that on Midsummer eve, when it was well known all kinds of ghosts, goblins, and fairies, become visible and walk abroad, the crusader used to mount his horse, come down from his picture, ride about the house, down the avenue, and so to the church to visit the tomb; on which occasion the church door most civilly swung open of itself; not that he needed it-for he rode through closed gates and even stone walls, and had been seen by one of the dairy-maids to pass between two bars of the great park gate, making himself as thin as a sheet of paper.

All these superstitions I found had been very much countenanced by the 'Squire, who, though not superstitious himself, was very fond of seeing others so. He listened to every goblin tale of the neighbouring gossips with infinite gravity, and held the porter's wife in high favour on account of her talent for the marvellous. He was himself a great reader of old legends and romances, and often lamented that he could not believe in them; for a superstitious person, he thought, must live in a kind of fairy land.

Whilst we were all attention to the parson's stories, our ears were suddenly assailed by a burst of heterogeneous sounds from the hall, in which were mingled something like the clang of rude minstrelsy, with the uproar of many small voices and girlish laughter. The door suddenly flew open, and a train came trooping

into the room, that might almost have been mistaken for the breaking up of the court of Fairy. That indefatigable spirit, Master Simon, in the faithful discharge of his duties as lord of misrule, had conceived the idea of a Christmas mummery, or masquing; and having called in to his assistance the Oxonian and the young officer, who were equally ripe for any thing that should occasion romping and merriment, they had carried it into instant effect. The old housekeeper had been consulted; the antique clothes-presses and wardrobes rummaged, and made to yield up the relics of finery that had not seen the light for several generations; the younger part of the company had been privately convened from parlour and hall, and the whole had been bedizened out, into a burlesque imitation of an antique masque.*

*

Master Simon led the van as " Ancient Christmas," quaintly apparelled in a ruff, a short cloak, which had very much the aspect of one of the old housekeeper's petticoats, and a hat that might have served for a village steeple, and must indubitably have figured in the days of the Covenanters. From under this, his nose curved boldly forth, flushed with a frost-bitten bloom that seemed the very trophy of a Decembér blast. He was accompanied by the blue-eyed romp, dished up as "Dame Mince Pie," in the venerable magnifi

* Masquings or mummeries were favourite sports at Christmas, in old times; and the wardrobes at halls and manor-houses were often laid under contribution to furnish dresses and fantastic disguisings. I strongly suspect Master Simon to have taken the idea of his from Ben Jonson's Masque of Christmas.

cence of faded brocade, long stomacher, peaked heart, and high-heeled shoes.

The young officer appeared as Robin Hood, in a sporting dress of Kendal green, and a foraging cap with a gold tassel.

The costume, to be sure, did not bear testimony to deep research, and there was an evident eye to the picturesque, natural to a young gallant in presence of his mistress. The fair Julia hung on his arm in a pretty rustic dress, as "Maid Marian." The rest of the train had been metamorphosed in various ways; the girls trussed up in the finery of the ancient belles of the Bracebridge line, and the striplings bewhiskered with burnt cork, and gravely clad in broad skirts, hanging sleeves, and full-bottomed wigs, to represent the characters of Roast Beef, Plum Pudding, and other worthies celebrated in ancient masquings. The whole was under the control of the Oxonian, in the appropriate character of Misrule; and I observed that he exercised rather a mischievous sway with his wand over the smaller personages of the pageant.

The irruption of this motley crew, with beat of drum, according to ancient custom, was the consummation of uproar and merriment. Master Simon covered himself with glory by the stateliness with which, as Ancient Christmas, he walked a minuet with the peerless, though giggling, Dame Mince Pie. It was followed by a dance from all the characters, which, from its medley of costumes, seemed as though the old family portraits had skipped down from their frames to join in the sport. Different centuries were

figuring at cross-hands and right and left; the dark ages were cutting pirouettes and rigadoons; and the days of Queen Bess, jigging merrily down the middle, through a line of succeeding generations.

The worthy 'Squire contemplated these fantastic sports, and this resurrection of his old wardrobe, with the simple relish of childish delight. He stood chuckling and rubbing his hands, and scarcely hearing a word the parson said, notwithstanding that the latter was discoursing most authentically on the ancient and stately dance of the Pavon, or peacock, from which he conceived the minuet to be derived.* For my part, I was in a continual excitement from the varied scenes of whim and innocent gayety passing before me. It was inspiring to see wild-eyed frolic and warm-hearted hospitality breaking out from among the chills and glooms of winter, and old age throwing off his apathy, and catching once more the freshness of youthful enjoyment. I felt also an interest in the scene, from the consideration that these fleeting customs were posting fast into oblivion, and that this was, perhaps, the only family in England in which the whole of them were still punctiliously observed. There was a quaintness, too, mingled with all this

* Sir John Hawkins, speaking of the dance called the Pavon, from pavo, a peacock, says, "It is a grave and majestic dance; the method of dancing it anciently was by gentlemen dressed with caps and swords, by those of the long robe in their gowns, by the peers in their mantles, and by the ladies in gowns with long trains, the motion whereof, in dancing, resembled that of a peacock."-History of Music.