Nadine Gordimer's Burger's Daughter: A Casebook
Oxford University Press, 2003 - Literary Criticism - 224 pages
South African writer Nadine Gordimer won the Nobel Prize in Literature in 1991. Her seventh novel, Burger's Daughter, focuses upon the daughter of a white, communist Afrikaner hero. Based partly on fact, successively banned and unbanned by the South African authorities, the novel has also become something of a test case for feminist critics of Gordimer's writing. This casebook includes an interview with and an essay by Nadine Gordimer on the novel, classic and recent critical essays, an introduction discussing biographical and historical contexts and the literary reception, and a bibliography.
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An Interview with Nadine Gordimer about Burgers Daughter
Waiting for Revolution
The Subject of Revolution
Leaving the Mothers House
Race and Sex in Burgers Daughter
The Degeneration of the Great South African Lie
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African Communist apartheid Baasie banned become Bernard Bildungsroman Black Consciousness Black Consciousness movement body bourgeois Bram Fischer brother Burger's Daughter Cathy Chabalier character child Clare Clingman Colette commitment Communist Party Conrad context criticism cultural death donkey essay exile experience fact father feels female feminism feminist fiction future gender girl going Gordimer's novel human ideology Johannesburg Katya Kgosana kind Late Bourgeois World liberation Lionel Burger literary lives London lover Mannoni Marisa mother Nadine Gordimer Nadine Gordimer's narrative narrator never objective parents police political prison quotation racism reader relationship represent responsibility return to South revolutionary Robben Island role Rosa Burger Rosa's says sense sexual Sharpeville social society South Africa South African Censorship Soweto riots story struggle suffering tapestries Terblanche third-person third-person narration Tillie Olsen tion trial voice woman women writing young Zwelinzima
Page 219 - Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.