| Joost Keizer - Art - 2017 - 301 pages
The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns, and villages. This is ... | |
| Dr Charles H Carman - Art - 2014 - 215 pages
Providing a fresh evaluation of Alberti’s text On Painting (1435), along with comparisons to various works of Nicholas Cusanus this study reveals a hitherto unsuspected shared ... | |
| Robert Williams - Art - 2017
Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic ... | |
| Eugène Müntz - Art - 2011 - 256 pages
Raphael was the artist who most closely resembled Pheidias. The Greeks said that the latter invented nothing; rather, he carried every kind of art invented by his forerunners ... | |
| Richard Cocke - Arts - 2004 - 198 pages
Best known for his Madonnas and his work in the Vatican, Raphael excelled at clarity of form and ease of composition of the ideal of human grandeur. | |
| Pierluigi De Vecchi, Raphael - 2002 - 396 pages
Giorgio Vasari qualifiait Raphaël d'artista aggraziato, artiste touché par la grâce. Sans doute s'agit-il encore de l'une des plus justes manières d'évoquer l'oeuvre de l'un ... | |
| Giovanni Andrea Gilio - Art - 2018 - 282 pages
Giovanni Andrea Gilio’s Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key ... | |
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