Pollock and After: The Critical DebateFrancis Frascina Pollock and After: The Critical Debate brings together key writings on debates about Abstract Expressionism and Modernist art history. It is an essential resource for understanding post-war American art and culture. The second edition has been fully revised and updated in response to new critical approaches to post-war American art. It includes nine new articles and a substantial overview essay by Francis Frascina. Articles are grouped into three parts, each with an introduction by Francis Frascina. Part One includes two foundational articles by the influential Modernist critic, Clement Greenberg, and represents the debate about Greenberg's work, with contributions by T.J. Clark and Michael Fried. Part Two focuses on revisionist writers, who questioned established ideas about Modernist art history, examining the relationship between Abstract Expressionism and the politics of McCarthyism and the Cold War. The third part, which is new to the volume, is devoted to recent developments of revisionist critiques. Contributors explore the work of Greenberg's contemporaries, the relationship between critical and commercial responses to Abstract Expressionism, and perceptions of cultural value in the 1940s and 1950s, and challenge assumptions about ethnicity, gender and sexuality in the construction of the 'post-war American artist'. |
Contents
II | 29 |
III | 48 |
IV | 60 |
V | 71 |
VI | 87 |
VII | 102 |
VIII | 111 |
IX | 113 |
XV | 211 |
XVI | 227 |
XVII | 229 |
XVIII | 234 |
XIX | 257 |
XXII | 284 |
XXIV | 290 |
XXVI | 303 |
Other editions - View all
Common terms and phrases
abstract art Abstract Expressionism Abstract Expressionists aesthetic American Action Painters American art American Artists American Painting Art and Culture art criticism art history Art Journal art world Artforum Avant-Garde and Kitsch Barnett Newman Barr become bourgeois canvas capitalism century Chapter Chicago Clement Greenberg Cold Cold War communication Communist consciousness contemporary critique Cubism discussion Dondero early essay European example exhibition expression formal Frascina freedom Gallery gender historians ibid ideas identity ideology included intellectuals issue Jackson Pollock Kooning Kozloff Lee Krasner literature London magazine Marxist means medium Modern Art MOMA murals Museum of Modern National negation Paris Partisan Review Picasso picture poetry political post-war produced proletariat published radical realistic relation representation represented reprinted revolution revolutionary Robert Motherwell role Rosenberg Rothko Schapiro Serge Guilbaut social society subject matter T. J. Clark texts tion tradition Trotsky United USIA values visual Willem de Kooning writing