Music, Culture, and Orature: Reading the Malawi Public Sphere, 1949-2006

achikulire activities AFORD Africa Watch African alangizi Asian Bakili Muluzi became Blantyre blood politicians businessmen cash Chancellor College Chewa Chihana Chimombo Chirwa Chisiza colonial context corruption critical critique culture dances Democracy discourse dominated Dr Banda dynamics economic élite exploited factors female music formal funds gender History of Malawi HIV/AIDS independence indigenous informal sector Jack Mapanje Jazz John Tembo Kachere Kamuzu Banda katangale leadership Lilongwe literature London Lucius Banda Lwanda mabvuto maize Malawi Congress Party Malawi politics Malawians male Mapanje mbumba Mphande Mpinganjira multi-party Mutharika Muwalo Muyebe Ndiche networks Ngugi Ngwazi Nkasa nsima Nyasaland oral orature pamtondo parastatals patronage Phiri Phungu poetry Politics and Poverty popular music popular musicians post-Banda postcolonial praise proverbs public sphere regime religious role rural Schoffeleers social socio-economic songs Tilire traditional transition United Democratic Front urban wanga women writers Ziphuphu Zomba