Andy Warhol

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Yale University Press, Oct 20, 2009 - Art - 192 pages

“Astutely traces the ripple effects of Warhol’s blurring of the lines between commercial and fine art, and art and real life…masterful.”—Booklist (starred review)
 
Art critic, philosopher, and winner of a National Book Critics Circle Award Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons.
 
By drawing on subject matter understandable to the ordinary American, Warhol revolutionized the way we look at art. In this book, Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure—artist, political activist, filmmaker, writer, philosopher—who retains permanent residence in our national imagination.

 

Contents

The Window at Bonwits
1
Pop Politics and the Gap Between Art and Life
24
The Brillo Box
47
Moving Images
72
The First Death
91
Andy Warhol Enterprises
120
Religion and Common Experience
135
Bibliography
149
Index
151
Copyright

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About the author (2009)

Arthur C. Danto is Johnsonian Professor Emeritus of Philosophy at Columbia University and former art critic for The Nation. He is the author of numerous books, including Unnatural Wonders: Essays from the Gap Between Art and Life, After the End of Art, and Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective.

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